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Visual Arts
Question
Along with pilasters, carved cupboards, and niche-filled statues, the Studiolo of Federico da Montefeltro (Fig. 20-37) also featured a squirrel, the symbol of
A. the church.
B. an ideal ruler.
C. the Virgin Mary.
D. the artist.
Answer
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Related questions
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Why did the U.S. government hire Dorothea Lange and other photographers during the Great Depression?
A. It was a part of a program that provided jobs to unemployed artists.
B. They hoped to build public support for federal assistance for rural America.
C. They wanted artwork that reflected the national American identity.
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A. It was a celebration of Spains technological innovations in the early twentieth century.
B. It was a response to the German bombing of a small Basque town, sponsored by Spanish Nationalists.
C. It memorialized the huge loss of life through trench warfare in World War I.
D. It was a modern version of traditional history painting recognizing Spanish accomplishments.
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A. expressive images of distorted figures.
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A spare, geometric style of Modern architecture in Europe developed in response to
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B. Neo-Baroque
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The best-known artist to emerge from the Harlem Community Art Center was
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B. Lawrence.
C. Hepworth.
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Surrealist painters variety of techniques were known collectively as
A. collage.
B. automatism.
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Discuss the movement of Realism. Provide examples and formal descriptions.
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Compare and contrast the design and aesthetics of the Grand Staircase, Opra, Paris (Fig. 31-4) and the Reading Room of the Bibliotheque Nationale, Paris (Fig. 31-52).
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What was the early photographic process?
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What interest led Gauguin to give up his affluent lifestyle in search of simpler pleasures?
A. Japonisme
B. the primitive
C. peasants
D. anarchists
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The reading room at the Bibliothque Nationale in Paris (Fig. 31-52) demonstrates the tendency of late nineteenth-century architects to
A. fuse a historicizing approach to form with new technologies.
B. reject the use of mass-produced and industrial materials in design.
C. explore new architectural forms that could reflect the modern world.
D. adhere to the dictum that form ever follows function.
Q:
What impact did the suppression of the Paris Commune have on art?
A. There was a resurgence in religious art and the Romantic style.
B. Artists turned to lithography and other printed formats for social critique.
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Who were really only honorary members of the academies?
A. sculptors
B. foreigners
C. women
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What about Ingress work in the early nineteenth century demonstrates the ongoing interest in Neoclassicism?
A. his erotic or aristocratic subject matter
B. his attention to color and surface textures
C. his academic line and formal structure
D. his emphasis on moral virtue and reason
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How did Benjamin Latrobe incorporate new symbolic forms in his design for the U.S. Capitol building?
A. an asymmetrical floor plan
B. Native American patterns on walls
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D. brick made from local clay
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What about Goyas Third of May, 1808 (Fig. 30-45) epitomizes Romanticism in art?
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B. It glorifies the victors.
C. It is an image of terror.
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In Angelika Kauffmans Cornelia Pointing to Her Children as Her Treasures (Fig. 30-28), how does the mother depict Classical virtues?
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B. She shows frustration with her children.
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Discuss Amir Nours work Grazing at Shendi (Fig. 29-1) in terms of form, iconography, and style.
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How did the women of the Sande society in London adjudicate the Sowei Mask from the Sherbro District (Fig. 29-16) from its colonial history?
A. They named it.
B. They burned it.
C. They cleaned it.
D. They transported it.