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Question
As opposed to film or cinema, the term movies is applied to
a. motion pictures considered by critics and scholars to be serious and challenging.
b. groups of films considered to be works of art.
c. the physical spaces where people congregate to watch motion pictures.
d. motion pictures made during the silent era of filmmaking.
e. motion pictures that entertain the masses at the multiplex.
Answer
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Related questions
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Which of the following is an example of a film employing narrative organization in a way that goes against the arrangement of events in conventional order?
a. A film possesses an exposition, rising action, climax, falling action, and denouement.
b. A films material is chosen and organized so that one event leads to another in a recognizable progression.
c. A film jumps from scene to scene so that events proceed, not in chronological order, but rather according to poetical associations.
d. A film advances linearly from scene to scene by following a character throughout the course of her day.
e. A film documents the development of a protest movement by following several participants in dramatic fashion.
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a. agreement d. verisimilitude
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a. that they do things that conform to what we understand of real people
b. that they do things that are continuously heroic and brave
c. that they are always physically attractive and likeable
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Which of the following is an example of cinematic manipulation of space?
a. the shooting of a scene with gauzy filters
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a. because it is of vital importance throughout the entire movie
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Q:
In 1934, Joseph Breen became the head of the ________, which was created in 1934 by the Motion Picture Producers and Distributors of America (MPPDA) to self-regulate movie content.
a. Hays Office
b. Production Code Administration
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The power of montage, as expressed by Soviet filmmakers of the 1920s, lies in its ability to
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a. Thomas Edison d. Louis Lumire
b. Georges Mlis e. G. A. Smith
c. Edwin S. Porter
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By drastically reducing ________, gelatin-covered paper made it possible for photographers to capture action spontaneously.
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b. sunlight e. the thickness of glass film
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William Henry Fox Talbots greatest contribution to photography was
a. glass-plate negatives.
b. fixing an image on transparent material.
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Provide an example of how music adds symbolic import and emotional impact to the footage we see on-screen.
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a. his 1938 radio production of The War of the Worlds
b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
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How does the sound design of the opening scene in Once Upon a Time in the West (1968) function?
a. It intentionally thwarts the audiences spatial and temporal expectations.
b. It answers fundamental questions about the narrative.
c. It helps the audience distinguish the individual sounds and understand how they are arranged in relation to one another.
d. The audio mise-en-scne emphasizes the camaraderie of three desperadoes.
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How does the sound of Harlan Ogilvy sharpening a large blade in War of the Worlds (2005) affect the audience?
a. It leads the audience to believe that Ogilvy may become an evil force.
b. It suggests Ogilvy could be an ally.
c. The soothing tones suggest a happy ending.
d. It provides irony since the viewers know a new demonic force now rules the world.
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From a sound perspective, what is the major achievement of Black Hawk Down (2001)?
a. multiple voice-over narration, which offers conflicting accounts of the same event
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c. the silence used to produce a new rhythm
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Describe the significant similarities and differences between the film and digital processes in the production stage of filmmaking.
Q:
The largest foreign consumer of Hollywood films is
a. Germany. d. China.
b. Britain. e. India.
c. Japan.
Q:
In what way are the major Hollywood studios facing a challenge heading into the future?
a. Movie franchises are doing poorly.
b. Several studios and theater chains have gone bankrupt due to digital conversion.
c. Continuing to enhance the appeal of movies for the large foreign audience.
d. Tickets prices are going down.
e. Dwindling box office attendance for superhero films.
Q:
How are independent producers reliant on the big six studios?
a. Distributing through the big six gives independents the largest possible audience.
b. High-end production equipment can only be rented through the big six.
c. Only films distributed by the big six can get an MPAA rating.
d. The big six control most alternate means of distribution, including Netflix and Amazon.
e. Members of labor unions are only allowed to work for the big six.