Accounting
Anthropology
Archaeology
Art History
Banking
Biology & Life Science
Business
Business Communication
Business Development
Business Ethics
Business Law
Chemistry
Communication
Computer Science
Counseling
Criminal Law
Curriculum & Instruction
Design
Earth Science
Economic
Education
Engineering
Finance
History & Theory
Humanities
Human Resource
International Business
Investments & Securities
Journalism
Law
Management
Marketing
Medicine
Medicine & Health Science
Nursing
Philosophy
Physic
Psychology
Real Estate
Science
Social Science
Sociology
Special Education
Speech
Visual Arts
Question
Crosscutting is an editing technique that
alternates between simultaneous shots in two separate spaces.
B. moves back and forth across the axis of action.
C. introduces flashbacks by direct cuts rather than dissolves or fade-outs.
D. alternates long-shot views with extreme close-ups.
Answer
This answer is hidden. It contains 2 characters.
Related questions
Q:
"Frontality" of staging means that A. a character is placed in the extreme foreground of the shot. B. a character is facing toward the camera. C. one character blocks spectators' views of another character. D. a character is moving toward the foreground.
Q:
According to Film Art, a film actor's performance style is most affected by
A. the microphone placement.
the camera distance.
C. the aspect ratio.
D. the lighting.
Q:
Which of the following is NOT a type of lighting in the three-point lighting system? A. Rack light B. Backlight C. Key light D. Fill light
Q:
Explain how Citizen Kane's narrative fails to achieve complete closure and discuss some of the effects this has on the spectator's understanding of the film.
Q:
[The following question can be used if you show your class a film that presents a distinct alternative to the classical Hollywood cinema.] Describe two significant ways in which the narrative of [film title] departs from the classical Hollywood cinema's tradition. Be as specific as possible in giving examples from the film.
Q:
Describe at least two basic narrative traits of the classical Hollywood cinema, and give examples of each from Film Art, the lecture, and films shown in class.
Q:
Non-character narrators are common in documentaries.
Q:
Films such as Run, Lola, Run by Tom Tykwer and Peter Howitt's Sliding Door distort story time by providing alternative futures to the viewer.
Q:
In a film, the high point of the action that increases tension for the spectator is called the A. climax. B. resolution. C. closing. D. conflict.
Q:
"Restricted" narration is commonly used in
mystery films.
B. documentaries.
C. classical films.
D. biographical films.
Q:
Which of the following is NOT an example of a way in which mental subjectivity might be portrayed in a film?
A. An internal voice that reports a character's thoughts
B. Images of a character's memories
C. The use of slow motion to suggest hallucination
D. Dialogue spoken between characters
Q:
16. Which of the following statements is NOT true of the narration in Citizen Kane? A. The multiple flashbacks narrated by different characters yield restricted, generally objective information about Kane. B. For much of the film, the information presented by the narration is largely limited in range to the reporter Thompson's knowledge. C. At the beginning and ending of the film, the narration moves outside the range of knowledge of any of the characters. D. The flashbacks are used both to reveal and to conceal story information.
Q:
The chains of actions that make up the narratives of classical Hollywood films typically depend on
psychological causes.
B. social causes.
C. natural causes.
D. restricted causes.
Q:
6. Which of the following statements is NOT true of the narration of George Miller's The Road Warrior? A. The narration is mainly restricted to the hero, Max's, range of knowledge. B. The narration provides shots from Max's optical point of view, as well as mental subjectivity. C. The mysterious narrator's voice from the opening scene turns out to be that of Max as an old man. D. The narration withholds information to create a surprise ending.
Q:
How can film form create new emotional reactions in the audience instead of simply triggering practiced ones? Give an example of how the Wizard of Oz uses form to override spectators' everyday emotional responses.
Q:
Referential meaning is meaning that is openly asserted in a film.
Q:
Prior experience has little effect on spectators' expectations as they view a film.
Q:
Social ideology is a set of values characteristic of a whole society.
Q:
A film that is cohesive in its overall form has
A. intensity.
unity.
C. organization.
D. development.
Q:
Which of the following describes a stylistic pattern used in The Wizard of Oz?
A. A tornado leads to Dorothy's journey to Oz.
B. The characters in Oz resemble characters in Dorothy's life in Kansas.
C. Dorothy's adventures in Oz result from her desire to return to Kansas.
D. Colors are used to identify landmarks and locations within the story.
Q:
What kinds of emotions are most likely produced by expectations that are fulfilled?
A. Anxiety or sympathy
B. Puzzlement or increased interest
C. Sadness or joy
D. Satisfaction or relief
Q:
Events involving characters that form a film's story is/are the A. narrative elements. B. stylistic elements. C. cinematic structure. D. content.
Q:
In what ways are digital motion-picture cameras similar to traditional 35mm cameras? With respect to the differences, what are the advantages that some filmmakers see in using digital motion-picture cameras?
Q:
Explain why the director is the person most commonly viewed as the "author" of a film.
Q:
In block booking, an exhibitor is forced to rent a package of films in order to get a few desirable ones.
Q:
A film's musical track is typically composed during the preproduction phase.
Q:
A strip of film consists of base and emulsion.
Q:
Filmmaking is a long process that from beginning to end requires A. constant decision making. B. perfectly secure funding. C. elaborate international marketing. D. comprehensive distribution.
Q:
How did The Blair Witch Project affect film distribution? A. It led distributors to use websites to help market their films. B. It compelled distributors to spend more money marketing their films. C. It decreased distributors' interest in independent films. D. It discouraged distributors from using social-networking Internet sites.
Q:
Which of the following is NOT an example of a "tentpole" film? A. The Dark Knight B. Selma C. Matrix: Revolutions D. The Hunger Games