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Question
Director/screenwriter Paul Thomas Anderson enjoys an unusually close collaboration with his actors and is able to elicit exceptional performances because
a. he improvises with actors during a long rehearsal period.
b. he writes parts specifically for the actors he hopes to cast.
c. he does not storyboard since he believes it interferes with the blocking of actors.
d. he relies on the Stanislavsky system to elicit sense memories from his actors.
e. his extensive experience directing theater helps him.
Answer
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Related questions
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b. Britain. e. India.
c. Japan.
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d. Tickets prices are going down.
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How are independent producers reliant on the big six studios?
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b. High-end production equipment can only be rented through the big six.
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b. Production Code Administration
c. New York State Censorship Board
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A term synonymous with the aesthetic approach to film history is the
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b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
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Professional organizations in the motion picture industry engage in which of the following activities?
a. seek equity in pay and working conditions
b. assist with the rating system in film regulation
c. protect artists rights amid the industrys conversion to digital production
d. support the recognition of outstanding achievements of their members to the Academy of Motion Picture Arts and Sciences
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Which of the following best describes MGM?
a. It was a poverty row enterprise.
b. It is no longer in existence today.
c. Irving Thalberg was a senior executive there.
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b. inquire whether cost considerations prohibit potential setups.
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a. is also known as reversal film stock.
b. produces a grainy image.
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e. requires a lot of light.
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Why would an editor choose an iris-out over another type of transition?
a. The iris-out draws the audiences attention to a particular place on the screen.
b. The iris-out looks more sophisticated.
c. The iris-out is cheaper to implement.
d. The iris-out is more expressive.
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Q:
What is a dissolve?
a. a fade-in or fade-out within a scene
b. a scene that ends on a down note
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d. when a character never reappears in a movie
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Q:
Which film was one of the first movies to intentionally and repeatedly violate conventional continuity with jump cuts that call attention to the films construction?
a. Rear Window (1954) d. Breathless (1960)
b. 2001: A Space Odyssey (1968) e. The Tin Drum (1979)
c. Casablanca (1942)
Q:
At one moment in 2001: A Space Odyssey (1968), a cut causes an abrupt transition between a shot of a bone thrown in the air by a primitive prehuman and a shot of a spaceship. This cut is shocking and unusual because
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c. it implies a barely perceptible period of elapsed time.
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e. the bone turns suddenly into a spaceship.