Question

Eisensteins October

a. was his greatest success both artistically and commercially.

b. demonstrates that when intellectual montage is disconnected from narrative and drama it leads to audience confusion.

c. is one of his few films to privilege content and message above formal experimentation.

d. continues to be considered his greatest film by critics and historians.

e. was destroyed by the Stalinist government and so no longer exists.

f. none of the above

Answer

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