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Question
Film scholars argue that genre conventions, repeated from film to film,
A. indicate continual studio worries about profits.
B. reflect actors' and producers' resistance to change in film technology.
C. result in audience boredom and demand for innovative ideas.
D. reflect audience doubts or anxieties and therefore vary with history.
Answer
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Related questions
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Among the major factors that contributed to the decline of the French New Wave in the late 1950s was the A. spread of television. B. resentment of the French government. C. rise of Neorealism. D. failure of directors to help one another absorb financial risk.
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B. 1920.
1930.
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Describe how animation differs from live-action filming. Explain the common types of animation and give examples of each.
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Directed by Chuck M. Jones in 1953, ______, with its experimental feel, is considered one of the masterpieces of American animation. A. The Scarlet Pumpernickel B. Snow White and the Seven Dwarfs C. Duck Amuck D. Fantasia
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Which of the following is NOT one of the three closely related categories of three-dimensional object animation?
A. Claymation using Plasticine
B. Model animation using puppets
C. Pixillation with ordinary objects or people
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Q:
Railroad Turnbridge, Scorpio Rising, and Ballet mcanique are all examples of
A. experimental film.
B. rhetorical form.
C. direct cinema.
D. found footage.
Q:
A "direct-cinema" documentary is one
A. in which the director stages the action.
that records real events as they happen.
C. consisting mainly of interviews.
D. made up entirely of archival footage.
Q:
In a short essay, discuss the importance of new subgenres and the mixing of genres to changes in genre conventions, drawing on examples from class readings and screenings.
Q:
Briefly describe how ideas about genre are used by people within the film industry, by film reviewers, and by ordinary moviegoers.
Q:
Select any film genre that has been discussed in this course. Provide two examples of conventions that are significant to the genre. Now cite two specific scenes from films that provide examples of innovative handling or unique adaptation of those conventions.
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The Fred Astaire-Ginger Rogers film Swing Time is an example of the backstage musical.
Q:
The term subgenre refers to
A. inferior examples of a genre.
distinct types within a genre.
C. subversive examples of a genre.
D. genres from foreign countries.
Q:
What does it mean for style to function perceptually? What are some aspects of this quality? Give an example from Citizen Kane.
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What are some of the things that should be looked for when determining the organizational structure of a film?
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Film sound can include any mixture of noise, music, and speech.
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Q:
When the king puts on headphones in The King's Speech, what kind of sound do we hear?
A. Off-screen restricted sound
On-screen restricted sound
C. Off-screen voiceover
D. On-screen voiceover
Q:
Ambient sounds are the sounds that
A. are added to the mix in post.
B. are added to dialogue scenes to make them more crisp.
the natural sounds in the background of a scene when it's recorded.
D. are mistakes made by the musicians while recording the soundtrack.
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A sound bridge is categorized as
A. simultaneous sound.
B. nondiegetic sound.
diegetic sound.
D. lacking fidelity.
Q:
The prologue of Orson Welles's The Magnificent Ambersons
contains a rare example of characters seeming to hear a nondiegetic narrator.
B. contains a rare example of a nondiegetic on-screen narrator.
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D. includes a scene where violins are used to simulate a woman's screams.