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Question
How does an editor control the rhythm of a film?
a. by timing sound track music correctly to edited shots
b. by making sure edited shots match each other in terms of continuity
c. by following each shot with a counter-shot that reverses the field of the previous one
d. by forcing shots to be part of the same montage sequence even if they dont make logical sense when placed together
e. by varying the duration of the shots in relation to one another and thus controlling their speed and accents
Answer
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Related questions
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b. Britain. e. India.
c. Japan.
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d. Tickets prices are going down.
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How are independent producers reliant on the big six studios?
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Q:
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By drastically reducing ________, gelatin-covered paper made it possible for photographers to capture action spontaneously.
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b. sunlight e. the thickness of glass film
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William Henry Fox Talbots greatest contribution to photography was
a. glass-plate negatives.
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Q:
A term synonymous with the aesthetic approach to film history is the
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Provide an example of how music adds symbolic import and emotional impact to the footage we see on-screen.
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b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
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Professional organizations in the motion picture industry engage in which of the following activities?
a. seek equity in pay and working conditions
b. assist with the rating system in film regulation
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Which of the following best describes MGM?
a. It was a poverty row enterprise.
b. It is no longer in existence today.
c. Irving Thalberg was a senior executive there.
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The preproduction phase is often associated with which of the following?
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When a director consults with her cinematographer, it is primarily to
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Q:
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a. is also known as reversal film stock.
b. produces a grainy image.
c. cannot shoot in color.
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e. requires a lot of light.
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Summarize the three factors upon which the 180-degree system depends and which work together to achieve the goals of continuity editing.
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Q:
Why would an editor choose an iris-out over another type of transition?
a. The iris-out draws the audiences attention to a particular place on the screen.
b. The iris-out looks more sophisticated.
c. The iris-out is cheaper to implement.
d. The iris-out is more expressive.
e. The iris-out is the only way to signify the ending of a scene.
Q:
A wipe, which is a transitional device in which shot B wipes across shot A vertically, horizontally, or diagonally to replace it, was commonly used in what popular movie franchise?
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Q:
What is a dissolve?
a. a fade-in or fade-out within a scene
b. a scene that ends on a down note
c. when a small circle of visible action surrounded by black expands to fill the entire screen
d. when a character never reappears in a movie
e. a transitional device in which a shot gradually superimposes over another shot
Q:
Which film was one of the first movies to intentionally and repeatedly violate conventional continuity with jump cuts that call attention to the films construction?
a. Rear Window (1954) d. Breathless (1960)
b. 2001: A Space Odyssey (1968) e. The Tin Drum (1979)
c. Casablanca (1942)
Q:
At one moment in 2001: A Space Odyssey (1968), a cut causes an abrupt transition between a shot of a bone thrown in the air by a primitive prehuman and a shot of a spaceship. This cut is shocking and unusual because
a. it signals a shift between radically different genres.
b. it implies an immense period of elapsed time.
c. it implies a barely perceptible period of elapsed time.
d. the shots possess no connection whatsoever.
e. the bone turns suddenly into a spaceship.