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Question
In School of Athens, Raphael represents the two significant schools of philosophy, signified by the portrayal of _______ and ________ in the center of the composition.
a) Christ; Michelangelo
b) Socrates; Euripides
c) Plato; Aristotle
d) Descartes; Hippocrates
Answer
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Related questions
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What is unique about the 1960-70s performances of Trisha Browns dance company?
a) they danced in the nude
b) they danced underwater
c) they danced on walls while suspended from the ceiling
d) they incorporated the latest cutting-edge technology
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The idea of film as art flourished after World War 2 with the likes of auteurs such as ___________.
a) Charlie Chaplin and the Three Stooges
b) Federico Fellini and Ingmar Bergman
c) Steven Spielberg and George Lucas
d) Burt Reynolds and Loni Anderson
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Machu Picchu was a getaway for a(n) __________ruler.
a) Aztec
b) Inca
c) Maya
d) Olmec
e)Moche
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Nam June Paiks TV Bra for Living Sculpture (p. 277) attempted to:
a) simulate trashy films of Hollywood.
b) make a careful political statement.
c) embarrass his audience.
d) humanize technology.
Q:
Leonardo da Vincis The Last Supper is based on what specific type of perspective?
a) isometric perspective
b) trimetric perspective
c) one-point linear perspective
d) two-point linear perspective
Q:
Early Renaissance architect Brunelleschi is best known for:
a) introducing complex narrative into painting and indicating a single, fixed light source that increased the overall naturalism of his compositions.
b) developing linear perspective and designing the dome over the huge crossing in Florence Cathedral.
c) reviving sculpture-in-the-round and reintroducing the nude figure.
d) painting the 38 panels in the Arena Chapel that depict the life of Christ.
e) designing the ByzantineChurch at San Ravenna and the dome for the Hagia Sophia.
Q:
Michelangelos painting The Last Judgment (p. 468), for the Sistine Chapel, typifies a style that came to be known as:
a) Expressionism.
b) Northern painting.
c) Mannerism.
d) Baroque.
Q:
What sets northern European artists (p. 454) apart from most artists of the Italian Renaissance is their interest in:
a) the size and scale of their paintings.
b) rendering believable space in realistic detail.
c) a denial of aerial or scientific perspective.
d) portraiture.
Q:
Hatching and cross-hatching are ways of turning line into______________, or three-dimensional, modeled space. a) color b) value c) actual texture d) a & b
Q:
Which of these pieces illustrates the use of expressive line?
a) Gaudier-Brzeskas Female Nude Back View
b) Van Goghs The Starry Night
c) Davids Study for the Death of Socrates
d) a & b
Q:
Which of these is an example of Baroque painting?
a) Masaccios The Tribute Money
b) Botticellis The Birth of Venus
c) Raphaels School of Athens
d) Caravaggios The Calling of St. Matthew
e) The Limbourg Bros October
Q:
In Hundreds of Birds Admiring the Peacocks painting by Yin Hong, from the late fifteenth to early sixteenth century, the peacock symbolizes:
a) the non-Chinese invading army.
b) the reality inside the mind.
c) the dichotomy of the northern and southern schools of Chinese painting.
d) the Chinese emperor.
Q:
Leonardo da Vincis Mona Lisa is thought to have had appeal to the Renaissance imagination in part because the portrait reveals:
a) subtractive color mixing.
b) the personality of the sitter.
c) Neoplatonist influence.
d) perfect linear perspective.
Q:
Whose David was the first life-size nude sculpture since antiquity?
a) Michelangelos.
b) Donatellos.
c) Raphaels.
d) Leonardo da Vincis.
Q:
What is the chief advantage of acrylic paint over oil paint?
a) it dries slower so artists can work more realistically
b) it is a quick, immediate process
c) it is more expressive
d) it is non-toxic
Q:
Hung Lius paintings, such as Three Fujins (p. 69), rely on contrasts between two very important elements:
a) yin and yang.
b) her love of Maos Cultural Revolution and her need to paint.
c) carefully drawn structural lines and uncontrolled drip lines
d) All of the above.
Q:
What is the binder in encaustic painting?
a) lime water
b) oil
c) egg yolk
d) wax
Q:
Pat Steirs series The Drawing Lesson Part 1, Line # 1 is about what type of line?
a) various artists unique expressive lines
b) implied lines
c) classical line
d) lines of sight
Q:
The Starry Night, by Vincent van Gogh, indicates the power of the artists _______ line.
a) expressive
b) analytical
c) classical
d) contour
Q:
Gothic architecture was different from its Romanesque predecessors in that it prioritized______.
a) the height of its interiors
b) barrel vaults
c) the experience of light, seen through stained-glass in the interior of the cathedrals
d) overall size
Q:
One of the superior aspects of oil paint (pp. 231-232) is that the artist can:
a) continue to work on the same painting for weeks without it drying.
b) work with big, bold, energetic brushstrokes.
c) blend hues and tones seamlessly.
d) All of the above.
Q:
What was the preferred two-dimensional medium for didactic, Christian art during the Middle Ages, particularly in the Byzantine Empire?
a) oil paint
b) acrylic
c) mosaic
d) fresco
Q:
Etienne-Jules Marey and Edward Muybridge were pioneers in the burgeoning art of ____________, which was first explored by the Lumiere Bros in 1895.
a) assemblage
b) motion pictures
c) Abstract Expressionism
d) public art
Q:
What was the inspiration for Marcel Duchamps controversial Nude Descending a Staircase?
a) a visit to a shingle factory
b) Navajo blankets
c) the chronophotographs of Etienne-Jules Marey
d) a 17th century painting by Raphael
Q:
Which sculptor eventually saw his controversial work destroyed?
a) Richard Serra
b) Carl Andre
c) Andy Warhol
d) Edouard Manet
Q:
The manuscript page of St. Matthew from the Gospel Book of Charlemagne (p. 441) is an excellent example of:
a) Carolingian art.
b) Gothic art.
c) Islamic art.
d) Hindu art.
Q:
Which artwork was referred to as an explosion in a shingle factory?
a) Edouard Manets Djeuner sur lherbe
b) Marcel Duchamps Nude Descending a Staircase
c) Pablo Picassos Women of Avignon
d) Vincent van Goghs Starry Night
Q:
The Djingareyber Mosque and the Mosque at Crdoba (figs. 595 and 596), while very different in style and building materials, are both typical of ____________architecture.
a) Christian
b) Islamic
c) Buddhist
d) Taoist
Q:
The tile mosaic, mihrab, is typical for Islamic art. Why?
a) it prioritizes naturalistic human figures and narrative
b) it is almost exclusively abstract designs and text from the Koran
c) it is made of mosaic tiles
d) b & c
Q:
The artists relation to the public often depends upon:
a) the amount charged for their work.
b) whether or not they make representational work.
c) the artists background and lifestyle.
d) what the artist is trying to say.