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Visual Arts
Question
In what way was Gustave Courbets The Stone Breakers (Fig. 31-12) an explicit political statement?
A. His elevated his lower-class subject to the heroic status afforded history painting.
B. He refused to exhibit it in the Salon and wrote a manifesto criticizing the academies.
C. He rejected academic conventions to idealize the subject.
D. He depicted an actual event that spawned violent protests outside the city of Ornans.
Answer
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Related questions
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A. It was a part of a program that provided jobs to unemployed artists.
B. They hoped to build public support for federal assistance for rural America.
C. They wanted artwork that reflected the national American identity.
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A. It was a celebration of Spains technological innovations in the early twentieth century.
B. It was a response to the German bombing of a small Basque town, sponsored by Spanish Nationalists.
C. It memorialized the huge loss of life through trench warfare in World War I.
D. It was a modern version of traditional history painting recognizing Spanish accomplishments.
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In the years after World War II, Francis Bacons paintings evoked the horrors of war and human suffering through
A. expressive images of distorted figures.
B. raw, heavily worked abstract forms.
C. biomorphic images that held personal symbolism.
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A spare, geometric style of Modern architecture in Europe developed in response to
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B. Neo-Baroque
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The best-known artist to emerge from the Harlem Community Art Center was
A. Dali.
B. Lawrence.
C. Hepworth.
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Surrealist painters variety of techniques were known collectively as
A. collage.
B. automatism.
C. primitivism.
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Discuss the movement of Realism. Provide examples and formal descriptions.
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Compare and contrast the design and aesthetics of the Grand Staircase, Opra, Paris (Fig. 31-4) and the Reading Room of the Bibliotheque Nationale, Paris (Fig. 31-52).
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How is Central Park organized?
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What is Japonisme?
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What was the early photographic process?
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What interest led Gauguin to give up his affluent lifestyle in search of simpler pleasures?
A. Japonisme
B. the primitive
C. peasants
D. anarchists
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The reading room at the Bibliothque Nationale in Paris (Fig. 31-52) demonstrates the tendency of late nineteenth-century architects to
A. fuse a historicizing approach to form with new technologies.
B. reject the use of mass-produced and industrial materials in design.
C. explore new architectural forms that could reflect the modern world.
D. adhere to the dictum that form ever follows function.
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What impact did the suppression of the Paris Commune have on art?
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What was the role of art academies in the eighteenth century, and how did they influence artistic development of the period?
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How did Joseph Wright of Derby glorify science?
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Who were really only honorary members of the academies?
A. sculptors
B. foreigners
C. women
D. architects
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What about Ingress work in the early nineteenth century demonstrates the ongoing interest in Neoclassicism?
A. his erotic or aristocratic subject matter
B. his attention to color and surface textures
C. his academic line and formal structure
D. his emphasis on moral virtue and reason
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How did Benjamin Latrobe incorporate new symbolic forms in his design for the U.S. Capitol building?
A. an asymmetrical floor plan
B. Native American patterns on walls
C. representations of indigenous plants on columns
D. brick made from local clay
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What about Goyas Third of May, 1808 (Fig. 30-45) epitomizes Romanticism in art?
A. It is not factual.
B. It glorifies the victors.
C. It is an image of terror.
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In Angelika Kauffmans Cornelia Pointing to Her Children as Her Treasures (Fig. 30-28), how does the mother depict Classical virtues?
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B. She shows frustration with her children.
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Discuss Amir Nours work Grazing at Shendi (Fig. 29-1) in terms of form, iconography, and style.
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How did the women of the Sande society in London adjudicate the Sowei Mask from the Sherbro District (Fig. 29-16) from its colonial history?
A. They named it.
B. They burned it.
C. They cleaned it.
D. They transported it.