Question

Many of the artworks made in Africa must be activated and serve as reminders of appropriate behavior and societal expectations. Given this context, compare and contrast the standing male figure (nkisi Mangaaka) made by the Yombe (3.5.4) and the Kanaga mask made by the Dogon (3.5.6). How would each of these objects have been activated? How would the desired message have been communicated to viewers? In what ways can this method of communication be seen as necessary and/or effective?

Answer


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