Accounting
Anthropology
Archaeology
Art History
Banking
Biology & Life Science
Business
Business Communication
Business Development
Business Ethics
Business Law
Chemistry
Communication
Computer Science
Counseling
Criminal Law
Curriculum & Instruction
Design
Earth Science
Economic
Education
Engineering
Finance
History & Theory
Humanities
Human Resource
International Business
Investments & Securities
Journalism
Law
Management
Marketing
Medicine
Medicine & Health Science
Nursing
Philosophy
Physic
Psychology
Real Estate
Science
Social Science
Sociology
Special Education
Speech
Visual Arts
Question
Painters in the nineteenth century often had a troubled relationship with the critics and the public. Using specific examples, describe this relationship.
Answer
This answer is hidden. It contains 0 characters.
Related questions
Q:
How are the soaring vertical lines of Notre Dame Cathedral intended to act upon the viewer? a. demonstrate the power of the architect b. emphasize royal French power c. visually symbolize the heavenly realm d. direct attention to narratives on the ceiling e. threaten with judgement
Q:
In Olowe of Ises Veranda Post of Enthroned King and Senior Wife, the senior wife is depicted as the largest figure in the sculpture because _______. a. the wife was a key supporter of the king as well as being a pillar of strength in the community b. the wifes power in the community exceeded the authority and power of the king c. the wife was older than the king, therefore larger in size d. females are much more visually interesting than males, so there is more detail to depict e. women in Yoruban society are physically stronger and are generally larger in size than men
Q:
Why is printmaking considered a democratic medium?
Q:
Artemisia Gentileschi often portrayed strong women as her subject matter because the artist _________. a. was a victim of sexual assault and wanted to portray women in powerful roles b. didnt know how to depict men very well c. fought for gender equality in her protest art d. wanted to strengthen the sentimentality of the subject e. had physical limitations as a result of childhood illnesses
Q:
A single test print made by the artist to see what the image will look like when printed is called a ___. a. proof b. etching c. monotype d. limited edition e. lithograph
Q:
Why did Emil Nolde think that color was the gateway to our inner nature? a. because every color harbors its own soul b. because nature is colorful c. because they affect us in different ways d. all of these are correct e. none of these are correct
Q:
The Japanese sculptural group the Amida Buddha reflects the tastes of its aristocratic patrons by ____. a. having gilded wood b. being refined and aloof like a prince c. containing slim, delicate, and ornate carvings d. depicting the angels surrounding the Buddha like royal attendants e. all of these are correct
Q:
The aim of the Expressionists was to _________. a. make inner feelings visible b. create a better world c. reveal the subconscious mind d. imitate historical references e. be dramatic
Q:
The word sfumato _________. a. means the soft mist of a fountain in Italian b. is observable in Leonardo da Vincis Mona Lisa c. renders details hazy and unclear d. incorporates low light that softens edges of a form e. all of these are correct
Q:
El Greco was initially trained as an apprentice in _________. a. sculpture b. Byzantine icons c. goldsmithing d. architecture e. Roman portrait busts
Q:
The Power of Art
Q:
A gestural line _______. a. follows the edge of a form b. reveals the action of the artist in drawing the line c. means beautiful writing d. is the weight of a line e. signifies a hard edge, geometric shape
Q:
What architect had the dictum: the complete building is the final aim of the visual arts? a. Walter Gropius b. Vasily Kandinsky c. Marc Chagall d. Le Corbusier e. Frank Lloyd Wright
Q:
In the photograph ________, Sandy Skoglund constructed a set and then clothed and posed models to create an image depicting a vivid fantasy of what the world might be like after a nuclear war. a. Meditation Mystery b. Untitled c. Radioactive Cats d. Radioactive Dogs e. none of these are correct
Q:
How did the Surrealists employ the use of illogical juxtaposition? Cite two Surrealist works in your response.
Q:
Compare and contrast Phoenix Hall in Japan with Notre Dame Cathedral in Paris. Discuss the relationship of the visual expression with the spiritual significance.
Q:
How is Baroque architecture different from the architecture of the Renaissance? Use specific examples from each period in your response.
Q:
Henri Cartier-Bresson is best known for capturing ______. a. portraits of women in domestic scenes b. racecars c. peppers d. the decisive moment e. none of these are correct
Q:
Explain the effect that the Counter-Reformation had upon artwork of Catholic countries. Cite at least one specific artwork in your discussion.
Q:
After receiving his first camera at seven years old, ___________ used it to record and hold onto the joys of upper-middle-class life in France before World War I. a. Timothy OSullivan b. Julia Margaret Cameron c. Alfred Stieglitz d. Henri Cartier-Bresson e. Jacques-Henri Lartigue
Q:
Why is it considered disturbing that ancient statues, like Augustus of Prima Porta were brightly colored?
Q:
When fabric silhouettes are cut out and stitched onto the background of another fabric, it is called a. weaving b. embroidery c. appliqu d. knotting e. beadwork
Q:
Metal can be cast or welded, but it can also be _________, or heated, and ___________, or hammered, into shape. a. forged; wrought b. fired; thrown c. warp; weft d. all of these are correct e. none of these are correct
Q:
Choose two of the three works of art: Fishing Boats at Sea by Vincent van Gogh, Boy Playing Flute from the School of the Katsushika Hokusai, and New York, New York by Franz Kline. Compare and contrast the way that line is used and the emotion it conveys in your two selected works.
Q:
Compare and contrast the work of Francisco Goya with Honor Daumier.
Q:
Compare and contrast Mrs. Siddons as the Tragic Muse by Sir Joshua Reynolds with The Blue Boy by Thomas Gainsborough.
Q:
Which American glassblower is noted for organic forms and vibrant colors? a. George Nakashima b. Louis Comfort Tiffany c. Dale Chihuly d. Harriet Powers e. Myra Mimlitsch-Gray
Q:
Why are squared off shapes or cubes often used in architecture?
Q:
The Martyrs, which according to the artist exemplify the human capacity to bear pain, hardship and even death in order to remain faithful to their values, beliefs and principles, was created by_________. a. Bill Viola b. Nam June Paik c. Pipilotti Rist d. Eadweard Muybridge e. Giacomo Balla
Q:
Which work by Magdalena Abakanowicz consists of a large number of figures made of burlap and glue and is installed in nature? a. Backs in a Landscape b. Table Clock c. Ghost Clock d. Portal Gates e. Yo