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Question
The British Cinematograph Film Act of 1927
a. opened up the country to imports of foreign films from countries other than the United States.
b. began the practice of direct government investment in feature film production.
c. resulted primarily in the production of many low-budget B-films.
d. could not prevent the continued contraction of the British industry.
e. set up the terms for the beginnings of British-American coproduction.
f. none of the above
Answer
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Related questions
Q:
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a. was extremely popular both in Italy and in international markets.
b. was the first postwar cinema to liberate filmmaking from the artificial confines of the studio.
c. created many stars who went on to have long distinguished careers in the Italian cinema.
d. was almost never improvised, relying on carefully prepared scenarios.
e. had little lasting influence on Italian or world cinema.
f. none of the above
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Fellini and Antonioni
a. were both neorealist directors beginning in the 1940s.
b. were both writers during the neorealist period.
c. were both film critics for the journal Cinema before becoming directors.
d. completely abandoned neorealism when they became directors.
e. worked together throughout their careers.
f. none of the above
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In the end, neorealism
a. completely revitalized the Italian cinema.
b. had a greater influence abroad than domestically.
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e. failed to produce a large number of great films or great filmmakers.
f. none of the above
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The Andreotti Law was passed in order to
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b. encourage the importing of European and American films.
c. regulate the content of imported films.
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e. require Italian theaters to show Italian films at least 20 percent of the time.
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b. a downward spiral in the Italian economy.
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b. was a great success in Italy but not well received in the United States.
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Q:
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c. was, in its time, one of the most expensive films ever made.
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b. as the founder of an entire movement in art direction.
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Which of the following events are NOT described in Thatchers narrative in Citizen Kane?
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c. Kanes financial failure
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Q:
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a. were never popular with audiences.
b. were never produced by the major studios.
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Q:
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a. was the first successful Cinerama film.
b. was the first film made in the single-strip Eastmancolor process.
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a. was a 3-D projection system.
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Q:
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f. none of the above
Q:
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Q:
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Q:
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Q:
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Q:
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d. films that dealt with prejudice, corruption, and social inequality.
e. greater freedom for writers and directors.
f. all of the above