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Question
The melodies Bla Bartk used in most of his works are _______.
A. authentic folk melodies gathered in his research
B. original themes that have a folk flavor
C. reminiscent of nineteenth-century symmetrical themes
D. exclusively Hungarian and Rumanian folk tunes
Answer
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Related questions
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Which of the following statements is not true? A. Typical of expressionist composers, Berg scored his opera Wozzeck for a small chamber orchestra. B. The vocal line in Berg's opera Wozzeck includes speaking, shrieking, Sprechstimme, distorted folk songs, and melodies with wide leaps that are difficult to sing. C. Though written in the early 1830s, Georg Bchner's play Woyzeck is amazingly modern in its starkly realistic dialogue and disconnected scenes. D. A novel feature of Berg's opera Wozzeck is that the music for each scene is a self-contained composition with a particular form or of a definite type.
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91. Which of the following statements is not true? A. Twentieth-century musical expressionism grows out of the emotional turbulence in the works of late romantics like Wagner, Richard Strauss, and Gustav Mahler. B. Expressionist artists favored pleasant subjects, delicate pastel colors, and shimmering surfaces. C. A stress on harsh dissonance, an exploitation of extreme registers, fragmentation, and unusual instrumental effects are all characteristics of expressionistic compositions. D. Expressionist painters reacted against French impressionism; they often used jarring colors and grotesquely distorted shapes to explore the subconscious.
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Igor Stravinsky's Rite of Spring is scored for ______. A. a small chamber group B. vocal soloists and orchestra C. an enormous orchestra D. a wind ensemble
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At the Paris International Exhibition of 1889 Debussy was strongly influenced by ______.
A. the advantages of modern technology
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C. the Eiffel Tower
D. performances of Asian music
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Which of the following statements is not true?
A. Both impressionist painting and symbolist poetry were catalysts for many developments during the twentieth century.
B. Symbolist writers emphasized the purely musical, or sonorous, effects of words.
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Q:
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Q:
A piano is often used in twentieth-century orchestral music to ______.
A. "sing" a beautiful melody
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Q:
The glissando, a technique widely used in the twentieth century, is ______. A. the combination of two traditional chords sounding together B. a rapid slide up or down a scale C. a motive or phrase that is repeated persistently at the same pitch throughout a section D. a chord made up of tones only a half step or a whole step apart
Q:
Which of the following composers was not stimulated by the folklore of his native land? A. Igor Stravinsky B. Anton Webern C. Bla Bartk D. Charles Ives
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The most famous riot in music history occurred in Paris in 1913 at the first performance of ______. A. Arnold Schoenberg's Gurrelieder B. Igor Stravinsky's The Rite of Spring C. Richard Wagner's Siegfried D. Igor Stravinsky's Les Noces
Q:
Which of the following statements is not true?
A. The "emancipation of the dissonance" does not prevent composers from differentiating between chords of greater or lesser tension.
B. By the early twentieth century, the traditional distinction between consonance and dissonance was abandoned in much music.
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B. to glorify the singers
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142. Which of the following statements is not true? A. One of Brahms's musical trademarks is his exotic orchestration. B. When he was thirteen, Brahms studied piano, music theory, and composition during the day, and played dance music for prostitutes and their clients in waterfront bars at night. C. Brahms was a romantic who breathed new life into classical forms. D. As conductor of a Viennese musical society, Brahms introduced many forgotten works of Bach, Handel, and Mozart.
Q:
In Vienna, Johannes Brahms ______.
A. conducted a Viennese musical society
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D. All answers are correct.
Q:
Peter Ilyich Tchaikovsky ______.
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B. preferred his government position to music
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