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Question
The scene of the cavalry rescue in John Ford's Stagecoach
A. demonstrates how sound can call our attention to events happening offscreen, such as when the bugle call signaled the pending rescue.
B. shows that manipulation of a sound's fidelity can be used to create a striking transition, such as when the gunshots were manipulated to sound like horse hooves.
C. greatly exaggerates the volume of the rifle shots to convey the characters' subjective reactions.
D. is an unusual case of a major action sequence being played with no music at all.
Answer
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