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Question
The sound of the didjeridu is considered a(n) __________.
(A) aural manifestation of the creative energy of ancestral spirits
(B) non-lexical account of history songs
(C) musical representation of the sounds of nature
(D) aural manifestation of telepathic energy
(E) musical representation of non-lexical spirit languages
Answer
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Related questions
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The primary role of a __________ in Mandinka society (West Africa) is as an oral historian.
(A) hosho
(B) atumpan
(C) jali
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Q:
__________ refers to the number of pitches per syllable of sung text.
(A) Scale
(B) Syllabic
(C) Melismatic
(D) Semantic
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(A) cascading
(B) ascending
(C) vibrato
(D) drone
(E) disjunct
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Q:
According to ethnomusicologists, why is music considered a universal, but not a unviersal language?
(A) Musical activity is found in every human culture, but the meanings of such activity are interpreted differently from culture to culture, even person to person.
(B) Like language, musical activity is a learned process, so a person must participate in that activity from birth to understand it.
(C) Not every culture has music, so music cannot be universal.
(D) Instruments cannot communiate the same meaning cross-culturally.
(E) As singing requires language and there is no ""universal"" language understood by all peoples, music cannot be a universal language.
Q:
Popular music can best be defined as music that is __________.
(A) learned informally
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(C) learned formally
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Q:
In the early years of the study of world music, ""armchair"" scholars did not do their own __________.
(A) preparation
(B) analysis
(C) dissemination
(D) fieldwork
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Q:
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(A) anthropology, linguistics
(B) musicology, linguistics
(C) musicology, technology
(D) anthropology, technology
(E) anthropology, musicology
Q:
__________ scholarship focuses on ""relative truths"" or ""interpretation of text.""
(A) Post-modernist
(B) Modernist
(C) Emic
(D) Etic
(E) Relativistic
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Asserting that ""Beethoven died March 26, 1827"" is an example of __________.
(A) modernist scholarship
(B) post-modernist scholarship
(C) semiotic analysis
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(A) dance
(B) call-and-response
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Q:
A __________ aerophone requires the performer to ""buzz"" his/her lips to play.
(A) trumpet
(B) reed
(C) flute
(D) woodwind
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(A) aerophone
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(C) membranophone
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__________ was the first country in the Caribbean islands to attain independence from colonial rule.
(A) Cuba
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(A) rhymer
(B) basser
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Q:
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(A) call & response, polyrhythm, harmony
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Q:
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(A) call and response vocal organization
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(A) hourglass pressure drums
(B) lamellophones
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(A) Soca
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The __________ is a type of button-box accordion common to tango music.
(A) sikuri
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Q:
""Silk and Bamboo"" is a reference to __________.
(A) the organological classification of instruments used in the Chinese sizhu ensemble
(B) the materials used to make the scenery and figures in Japanese bunraku puppet theatre
(C) the Chinese gu qin, which is made of these materials
(D) a Japanese membranophone struck with bamboo beaters
(E) a Korean narrative theatre, known as p'ansori
Q:
The Uilleann pipes is an instrument most associated with music performance from __________.
(A) Hungary
(B) Spain
(C) Scotland
(D) Ireland
(E) Bulgaria
Q:
The European medieval lute is thought to derive from the Middle Eastern __________.
(A) ud
(B) santur
(C) maqam
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Q:
The __________ is a type of flute frequently featured in Sufi ritual.
(A) shofar
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Q:
The Wailing Wall, Church of the Nativity, and Dome of the Rock are important religious sites found in __________.
(A) Israel
(B) Turkey
(C) Egypt
(D) Iran
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Q:
The music of Oceania is primarily __________.
(A) vocal
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(C) harmonic
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Q:
__________ refers specifically to the Australian aboriginal cosmology.
(A) Animism
(B) Polytheism
(C) Totemism
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Q:
The function of susap performance is to __________.
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(B) attract a woman's affections
(C) accompany chant traditions from Hawai'i
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(E) taunt rival performers during all-night vocal competition