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Visual Arts
Question
What is the medium of Yasumasa Morimuras Portrait (Futago)?
a. painted limestone d. color photograph
b. oil on canvas e. multimedia installation
c. fresco
Answer
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Related questions
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The video game Transistor is designed using units that can be redistributed in any configuration using isometric perspective. These units are called ________.
a. sliders d. pixels
b. updrafts e. tiles
c. tags
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In order to create value in his drawing Head of a Satyr, Michelangelo used both hatching and ________, a variation where the lines overlap, allowing for the depiction of darker tones.
a. atmospheric perspective d. cross-hatching
b. perspective e. highlight
c. chiaroscuro
Q:
The process of using a series of parallel lines set close to one another to differentiate planes of value in a work of art is called ________.
a. perspective d. core shadow
b. hatching e. palette
c. highlight
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The French artist Pierre-Paul Prudhon created chiaroscuro by using ________ chalk on paper.
a. black and white d. black and blue
b. blue and gray e. blue and silver
c. red and green
Q:
Feminist analysis of Grande Odalisque by Jean-Auguste-Dominique Ingres considers the role of women in nineteenth-century France, but not viewers perspectives on gender.
Q:
Memento mori refers to:
a. a locket or other symbol of love
b. a symbol of mortality
c. a letter written a long time ago
d. musical instruments
e. none of the other answers
Q:
Holbeins The Ambassadors has several references to religious content.
Q:
Hieronymous Bosch worked closely with and was deeply influenced by the Surrealist artists of the twentieth century.
Q:
By using ________ texture to contradict previous tactile experience, artists can invite viewers to reconsider the world around them.
a. subversive d. smooth
b. expected e. rough
c. familiar
Q:
The highly polished surface of Anish Kapoors sculpture Cloud Gate means that the viewer and the city of ________ become a part of the work, in its reflection.
a. New York d. London
b. Los Angeles e. Paris
c. Chicago
Q:
When we touch an object we experience a tactile sensation that artists refer to as ________ texture.
a. mass d. implied
b. actual e. organic
c. subversive
Q:
The Roman artist who sculpted Naked Aphrodite Crouching at Her Bath (Lelys Venus) (1.2.8a, 1.2.8b) did so in such a way that it invites the viewer to move around the work to see more. Describe the differences in the work from side to side that are evidence of this compositional idea.
Q:
There is rhythm in an artwork when it has at least this many points of reference.
a. two d. four
b. one e. none
c. three
Q:
Is it possible to create a work of art that is completely random, or is our dependence on pattern so strong that such a work would be incomprehensible? Explain your reasons why or why not.
Q:
This type of relief, which takes its name from the French word for low, does not imply great depth.
a. area relief d. actual relief
b. bas-relief e. a frieze
c. a plane
Q:
This American painter used small abstract motifs to create a huge self-portrait.
a. Suzanne Valadon d. Pieter Bruegel
b. Chuck Close e. Edward Weston
c. Rosa Bonheur
Q:
In the painting The Blue Room, the artist uses three patterns that ________.
a. are focal points d. merge
b. are similar e. contrast
c. are abstract
Q:
If an artist wanted to create an artwork sure to last for many thousands of years, wood would be a good material to use.
Q:
This medium is made of pigment suspended in water so that it adheres to the fibers of paper to which it is commonly applied. Usually there is a small amount of gum arabic in this medium, and it most often uses only black pigment.
a. ink d. acrylic
b. tempera e. encaustic
c. oil
Q:
Italian Baroque artist Artemisia Gentileschi used this medium for her Allegory of Painting, a self-portrait of the artist with a paintbrush in hand.
a. acrylic paint d. tempera
b. fresco e. encaustic
c. oil paint
Q:
Which of the following is not used in works of fiber art?
a. polyester d. cotton
b. wool e. aluminum
c. silk
Q:
The Renaissance artist and writer Giorgio Vasari credited this Flemish painter with the invention of oil paint.
a. Robert Campin d. Peter Paul Rubens
b. Pieter Bruegel e. Rembrandt van Rijn
c. Jan van Eyck
Q:
Artists used oil paint on cave walls thousands of years ago.
Q:
The only way an artist can work with metal is to heat it to a liquid state.
Q:
If an artist wanted to paint a very detailed miniature forest scene, tempera would be a good medium to use.
Q:
The process of glassblowing was perfected in this ancient culture.
a. India d. Mesoamerica
b. Greece e. Rome
c. China
Q:
This painting process relies on freshly applied lime plaster to hold the pigment in place.
a. casein d. tempera
b. encaustic e. oil
c. fresco
Q:
This method of clay production is based on the creation of flat sheets of wet clay.
a. roping d. slab
b. coil e. pinch
c. thrown
Q:
The only reason artists glaze their pottery is practical: to add a layer of protection.
Q:
This is not a traditional paint binder.
a. beeswax d. gum arabic
b. lye e. walnut oil
c. egg yolk