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Visual Arts
Question
What quality of painted crucifixes, such as the one attributed to Coppo di Marcovaldo (Fig. 17-38), would make them especially popular in churches of the Italian mendicants?
A. the painting style in the Greek manner
B. the empathetic response they encouraged in viewers
C. their iconic format and compositions
D. the stylized representation of Christs body
Answer
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Related questions
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Critics of the Vietnam Veterans Memorial (Fig. 33-49) were especially outraged by the use of
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B. the serene setting.
C. the size and magnitude.
D. the listing of names.
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Louise Nevelson arrived at works such as Sky Cathedral (Fig. 33-2) after
A. piecing together different shapes of glass.
B. experimenting with combines.
C. stacking boxes of discarded objects.
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What topic became controversial when Chris Ofilis painting The Holy Virgin Mary (Fig. 33-47) was displayed in the Brooklyn Museum?
A. art history
B. arts funding
C. access to art
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A. They incorporated geometric form.
B. They took a biological approach.
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Which artist conceptualized the readymade?
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B. Boccioni
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Why did the U.S. government hire Dorothea Lange and other photographers during the Great Depression?
A. It was a part of a program that provided jobs to unemployed artists.
B. They hoped to build public support for federal assistance for rural America.
C. They wanted artwork that reflected the national American identity.
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What motivated Picasso to create his large-scale painting Guernica (Fig. 32-64) for the Spanish Pavilion at the 1938 Paris Exposition?
A. It was a celebration of Spains technological innovations in the early twentieth century.
B. It was a response to the German bombing of a small Basque town, sponsored by Spanish Nationalists.
C. It memorialized the huge loss of life through trench warfare in World War I.
D. It was a modern version of traditional history painting recognizing Spanish accomplishments.
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In the years after World War II, Francis Bacons paintings evoked the horrors of war and human suffering through
A. expressive images of distorted figures.
B. raw, heavily worked abstract forms.
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A spare, geometric style of Modern architecture in Europe developed in response to
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B. Neo-Baroque
C. Bauhaus
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The best-known artist to emerge from the Harlem Community Art Center was
A. Dali.
B. Lawrence.
C. Hepworth.
D. Moore.
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Surrealist painters variety of techniques were known collectively as
A. collage.
B. automatism.
C. primitivism.
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Discuss the movement of Realism. Provide examples and formal descriptions.
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A. Japonisme
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The reading room at the Bibliothque Nationale in Paris (Fig. 31-52) demonstrates the tendency of late nineteenth-century architects to
A. fuse a historicizing approach to form with new technologies.
B. reject the use of mass-produced and industrial materials in design.
C. explore new architectural forms that could reflect the modern world.
D. adhere to the dictum that form ever follows function.
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What impact did the suppression of the Paris Commune have on art?
A. There was a resurgence in religious art and the Romantic style.
B. Artists turned to lithography and other printed formats for social critique.
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Which artist is known for producing portraits of some of Britains leading intellectuals?
A. Timothy OSullivan
B. Henry Fox Talbot
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How were Enlightenment ideas reflected in art of the eighteenth century? Choose examples that demonstrate the diverse range of styles used to express these interests.
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What was the role of art academies in the eighteenth century, and how did they influence artistic development of the period?
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Who were really only honorary members of the academies?
A. sculptors
B. foreigners
C. women
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What about Ingress work in the early nineteenth century demonstrates the ongoing interest in Neoclassicism?
A. his erotic or aristocratic subject matter
B. his attention to color and surface textures
C. his academic line and formal structure
D. his emphasis on moral virtue and reason
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How did Benjamin Latrobe incorporate new symbolic forms in his design for the U.S. Capitol building?
A. an asymmetrical floor plan
B. Native American patterns on walls
C. representations of indigenous plants on columns
D. brick made from local clay