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Question
Where must the camera be placed in relation to the axis of action?
a. on both sides of the axis of action in alternating sequence
b. on both sides of the axis of action in random sequence
c. on both sides of the axis of action depending on the directors fancy
d. on one side and one side only of the axis of action
e. on one side of the axis of action but also on the opposite side if the need for further coverage calls for such a switch
Answer
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Related questions
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In 2015, almost 90 percent of the top 100 U.S.-grossing films were shot digitally and 100 percent of those films were edited and otherwise prepared for release digitally. However, there is a small but significant opposition to shooting digitally on the creative side from directors and cinematographers, in particular. Which directors are resisting the conversion to digital and what solution did the Hollywood studios come up with to address this issue?
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b. Britain. e. India.
c. Japan.
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d. Tickets prices are going down.
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How are independent producers reliant on the big six studios?
a. Distributing through the big six gives independents the largest possible audience.
b. High-end production equipment can only be rented through the big six.
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a. Hays Office
b. Production Code Administration
c. New York State Censorship Board
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By drastically reducing ________, gelatin-covered paper made it possible for photographers to capture action spontaneously.
a. copper d. hyposulfite thiosulfate
b. sunlight e. the thickness of glass film
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William Henry Fox Talbots greatest contribution to photography was
a. glass-plate negatives.
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A term synonymous with the aesthetic approach to film history is the
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Provide an example of how music adds symbolic import and emotional impact to the footage we see on-screen.
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b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
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Professional organizations in the motion picture industry engage in which of the following activities?
a. seek equity in pay and working conditions
b. assist with the rating system in film regulation
c. protect artists rights amid the industrys conversion to digital production
d. support the recognition of outstanding achievements of their members to the Academy of Motion Picture Arts and Sciences
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Q:
Which of the following best describes MGM?
a. It was a poverty row enterprise.
b. It is no longer in existence today.
c. Irving Thalberg was a senior executive there.
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The preproduction phase is often associated with which of the following?
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b. inquire whether cost considerations prohibit potential setups.
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d. consider whether continuity is being enforced.
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a. is also known as reversal film stock.
b. produces a grainy image.
c. cannot shoot in color.
d. requires little light.
e. requires a lot of light.
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Summarize the three factors upon which the 180-degree system depends and which work together to achieve the goals of continuity editing.
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Q:
Why would an editor choose an iris-out over another type of transition?
a. The iris-out draws the audiences attention to a particular place on the screen.
b. The iris-out looks more sophisticated.
c. The iris-out is cheaper to implement.
d. The iris-out is more expressive.
e. The iris-out is the only way to signify the ending of a scene.
Q:
A wipe, which is a transitional device in which shot B wipes across shot A vertically, horizontally, or diagonally to replace it, was commonly used in what popular movie franchise?
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Q:
What is a dissolve?
a. a fade-in or fade-out within a scene
b. a scene that ends on a down note
c. when a small circle of visible action surrounded by black expands to fill the entire screen
d. when a character never reappears in a movie
e. a transitional device in which a shot gradually superimposes over another shot
Q:
Which film was one of the first movies to intentionally and repeatedly violate conventional continuity with jump cuts that call attention to the films construction?
a. Rear Window (1954) d. Breathless (1960)
b. 2001: A Space Odyssey (1968) e. The Tin Drum (1979)
c. Casablanca (1942)
Q:
At one moment in 2001: A Space Odyssey (1968), a cut causes an abrupt transition between a shot of a bone thrown in the air by a primitive prehuman and a shot of a spaceship. This cut is shocking and unusual because
a. it signals a shift between radically different genres.
b. it implies an immense period of elapsed time.
c. it implies a barely perceptible period of elapsed time.
d. the shots possess no connection whatsoever.
e. the bone turns suddenly into a spaceship.