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Visual Arts
Question
Which category of painting became popular in the sixteenth century because, although it had no overt religious content, it could be seen as a reflection of Gods works?
A. genre works
B. still lifes
C. landscapes
D. miniatures
Answer
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B. the serene setting.
C. the size and magnitude.
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A. piecing together different shapes of glass.
B. experimenting with combines.
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A. art history
B. arts funding
C. access to art
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A. They incorporated geometric form.
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Which artist conceptualized the readymade?
A. Brancusi
B. Boccioni
C. Lger
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Why did the U.S. government hire Dorothea Lange and other photographers during the Great Depression?
A. It was a part of a program that provided jobs to unemployed artists.
B. They hoped to build public support for federal assistance for rural America.
C. They wanted artwork that reflected the national American identity.
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What motivated Picasso to create his large-scale painting Guernica (Fig. 32-64) for the Spanish Pavilion at the 1938 Paris Exposition?
A. It was a celebration of Spains technological innovations in the early twentieth century.
B. It was a response to the German bombing of a small Basque town, sponsored by Spanish Nationalists.
C. It memorialized the huge loss of life through trench warfare in World War I.
D. It was a modern version of traditional history painting recognizing Spanish accomplishments.
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In the years after World War II, Francis Bacons paintings evoked the horrors of war and human suffering through
A. expressive images of distorted figures.
B. raw, heavily worked abstract forms.
C. biomorphic images that held personal symbolism.
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A spare, geometric style of Modern architecture in Europe developed in response to
A. Pre-Raphaelite
B. Neo-Baroque
C. Bauhaus
D. Art Nouveau
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The best-known artist to emerge from the Harlem Community Art Center was
A. Dali.
B. Lawrence.
C. Hepworth.
D. Moore.
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Surrealist painters variety of techniques were known collectively as
A. collage.
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Discuss the movement of Realism. Provide examples and formal descriptions.
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A. Japonisme
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The reading room at the Bibliothque Nationale in Paris (Fig. 31-52) demonstrates the tendency of late nineteenth-century architects to
A. fuse a historicizing approach to form with new technologies.
B. reject the use of mass-produced and industrial materials in design.
C. explore new architectural forms that could reflect the modern world.
D. adhere to the dictum that form ever follows function.
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What impact did the suppression of the Paris Commune have on art?
A. There was a resurgence in religious art and the Romantic style.
B. Artists turned to lithography and other printed formats for social critique.
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B. Henry Fox Talbot
C. Julia Margaret Cameron
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How were Enlightenment ideas reflected in art of the eighteenth century? Choose examples that demonstrate the diverse range of styles used to express these interests.
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Who were really only honorary members of the academies?
A. sculptors
B. foreigners
C. women
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What about Ingress work in the early nineteenth century demonstrates the ongoing interest in Neoclassicism?
A. his erotic or aristocratic subject matter
B. his attention to color and surface textures
C. his academic line and formal structure
D. his emphasis on moral virtue and reason
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How did Benjamin Latrobe incorporate new symbolic forms in his design for the U.S. Capitol building?
A. an asymmetrical floor plan
B. Native American patterns on walls
C. representations of indigenous plants on columns
D. brick made from local clay