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Question
Which of the following demonstrates a violation of the 180-degree system?
a. In a scene of dialogue in which character A and character B stand still and face each other, the camera records shots of both characters solely from one side of an imaginary line between them.
b. In a scene of dialogue in which character A and character B move around a room together while talking, the camera records shots of both characters solely from one side of an imaginary line, even as that line changes with their movements.
c. In an action scene featuring one car chasing another, two separate shots capture first car A and then car B from different sides of an imaginary line between them.
d. In an action scene featuring one car chasing another, two separate shots capture first car A and then car B from the same side of an imaginary line between them.
e. No imaginary line is drawn between two characters in a gun battle sequence.
Answer
This answer is hidden. It contains 83 characters.
Related questions
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d. Tickets prices are going down.
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b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
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Q:
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a. seek equity in pay and working conditions
b. assist with the rating system in film regulation
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d. support the recognition of outstanding achievements of their members to the Academy of Motion Picture Arts and Sciences
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Q:
Which of the following best describes MGM?
a. It was a poverty row enterprise.
b. It is no longer in existence today.
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Q:
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a. is also known as reversal film stock.
b. produces a grainy image.
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Q:
Summarize the three factors upon which the 180-degree system depends and which work together to achieve the goals of continuity editing.
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Q:
Why would an editor choose an iris-out over another type of transition?
a. The iris-out draws the audiences attention to a particular place on the screen.
b. The iris-out looks more sophisticated.
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d. The iris-out is more expressive.
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Q:
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Q:
What is a dissolve?
a. a fade-in or fade-out within a scene
b. a scene that ends on a down note
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d. when a character never reappears in a movie
e. a transitional device in which a shot gradually superimposes over another shot
Q:
Which film was one of the first movies to intentionally and repeatedly violate conventional continuity with jump cuts that call attention to the films construction?
a. Rear Window (1954) d. Breathless (1960)
b. 2001: A Space Odyssey (1968) e. The Tin Drum (1979)
c. Casablanca (1942)
Q:
At one moment in 2001: A Space Odyssey (1968), a cut causes an abrupt transition between a shot of a bone thrown in the air by a primitive prehuman and a shot of a spaceship. This cut is shocking and unusual because
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c. it implies a barely perceptible period of elapsed time.
d. the shots possess no connection whatsoever.
e. the bone turns suddenly into a spaceship.