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Question
Which of the following events are NOT described in Thatchers narrative in Citizen Kane?
a. Kanes childhood
b. Kanes taking over the New York Inquirer
c. Kanes financial failure
d. Kanes twenty-first birthday
e. Kanes marriage to Susan
f. All of the above are in Thatchers narrative.
Answer
This answer is hidden. It contains 34 characters.
Related questions
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Neorealism
a. was extremely popular both in Italy and in international markets.
b. was the first postwar cinema to liberate filmmaking from the artificial confines of the studio.
c. created many stars who went on to have long distinguished careers in the Italian cinema.
d. was almost never improvised, relying on carefully prepared scenarios.
e. had little lasting influence on Italian or world cinema.
f. none of the above
Q:
Fellini and Antonioni
a. were both neorealist directors beginning in the 1940s.
b. were both writers during the neorealist period.
c. were both film critics for the journal Cinema before becoming directors.
d. completely abandoned neorealism when they became directors.
e. worked together throughout their careers.
f. none of the above
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In the end, neorealism
a. completely revitalized the Italian cinema.
b. had a greater influence abroad than domestically.
c. had little impact on the international status of the Italian cinema.
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e. failed to produce a large number of great films or great filmmakers.
f. none of the above
Q:
The Andreotti Law was passed in order to
a. privatize the formerly state-owned Italian film industry.
b. encourage the importing of European and American films.
c. regulate the content of imported films.
d. aid in the export of neorealist films.
e. require Italian theaters to show Italian films at least 20 percent of the time.
f. all of the above
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The decline of neorealism was primarily the result of
a. its lack of popularity in Europe and the United States.
b. a downward spiral in the Italian economy.
c. the Andreotti Law.
d. its lack of popularity in Italy.
e. directors losing interest in the subject matter.
f. all of the above
Q:
The creative partnership between De Sica and Zavattini
a. ended with the demise of neorealism in the 1950s.
b. continued into the 1960s, working almost solely in the neorealist style.
c. was lengthy and productive, lasting until the ends of both their careers.
d. produced no new films after Umberto D.
e. never produced internationally successful films.
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Q:
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a. was their first foray into neorealism.
b. was a great success in Italy but not well received in the United States.
c. was a conventional middle-class comedy like so many of De Sicas early films.
d. was the most expensive Italian film of 1946.
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f. none of the above
Q:
The first collaboration between De Sica and Zavattini was on the film
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b. The Bicycle Thief. e. Germany, Year Zero.
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a. Rome, Open City. d. Paisan.
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Q:
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a. LUCE. d. Cinecitt.
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Q:
The Magnificent Ambersons
a. was originally released with Welless ending intact before being pulled from circulation.
b. was adapted from a well-known novel.
c. was shot by Gregg Toland.
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a. was only the first of many films on which Welles had complete creative control.
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c. was, in its time, one of the most expensive films ever made.
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Q:
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f. all of the above
Q:
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b. the sled.
c. the Greek sculptures.
d. the jigsaw puzzle.
e. the original Declaration of Principles.
f. none of the above
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a. Thatchers d. Susans
b. Bernsteins e. Raymonds
c. Lelands f. none of the above
Q:
The Declaration of Principles document is written in whose story in Citizen Kane?
a. Lelands d. Raymonds
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f. none of the above
Q:
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Q:
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Q:
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a. was a 3-D projection system.
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f. none of the above
Q:
The blacklist resulted in
a. one of the most creative periods in Hollywoods history.
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Q:
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f. none of the above
Q:
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a. was an organization of the major movie studios devoted to fighting Communism.
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c. were the ten biggest stars in Hollywood.
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f. none of the above
Q:
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Q:
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Q:
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d. realistic and sophisticated in their depiction of the war.
e. isolationist, ignoring the problems of our allies.
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