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Question
40. Which of the following statements is not true?
A. Each variation in a theme-and-variations form is unique and may differ in mood from the theme.
B. The form called theme and variations is widely used in the classical period, either as an independent piece or as one movement of a symphony, sonata, or string quartet.
C. The recapitulation section is an important way for a composer to develop variations in a theme-andvariations form.
D. In a theme-and-variations movement, a basic musical idea is repeated over and over and is changed each time.
Answer
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Related questions
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Which of the following statements is not true? A. Typical of expressionist composers, Berg scored his opera Wozzeck for a small chamber orchestra. B. The vocal line in Berg's opera Wozzeck includes speaking, shrieking, Sprechstimme, distorted folk songs, and melodies with wide leaps that are difficult to sing. C. Though written in the early 1830s, Georg Bchner's play Woyzeck is amazingly modern in its starkly realistic dialogue and disconnected scenes. D. A novel feature of Berg's opera Wozzeck is that the music for each scene is a self-contained composition with a particular form or of a definite type.
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A. going to concerts
B. playing in amateur chamber groups
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Expressionism is an art concerned with ______. A. depicting the beauties of nature B. emotional restraint, clarity, and balance C. social protest D. All answers are correct.
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91. Which of the following statements is not true? A. Twentieth-century musical expressionism grows out of the emotional turbulence in the works of late romantics like Wagner, Richard Strauss, and Gustav Mahler. B. Expressionist artists favored pleasant subjects, delicate pastel colors, and shimmering surfaces. C. A stress on harsh dissonance, an exploitation of extreme registers, fragmentation, and unusual instrumental effects are all characteristics of expressionistic compositions. D. Expressionist painters reacted against French impressionism; they often used jarring colors and grotesquely distorted shapes to explore the subconscious.
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Twentieth-century musical expressionism grew out of the emotional turbulence in the works of late romantics such as ______.
A. Richard Wagner
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D. All answers are correct.
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The twentieth-century artistic movement that stressed intense, subjective emotion was called ______. A. impressionism B. primitivism C. expressionism D. neoclassicism
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Igor Stravinsky's Rite of Spring is scored for ______. A. a small chamber group B. vocal soloists and orchestra C. an enormous orchestra D. a wind ensemble
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In the 1950s Stravinsky dramatically changed his style, drawing inspiration from ______. A. Claude Debussy B. Richard Wagner C. Anton Webern D. Russian folk music
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In order to support his family, Schumann turned to ______. A. medicine B. musical journalism C. arranging concerts D. teaching
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The writer whose works had the greatest impact on the young Berlioz was ______. A. Victor Hugo B. William Shakespeare C. Honor de Balzac D. Heinrich Heine
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Today's movie scores may be regarded as examples of ______. A. pure music B. incidental music C. folk music D. absolute music
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The high point of Mendelssohn's career was the triumphant premiere of his oratorio _____________ in England. A. Elijah B. Hebrides C. A Midsummer Night's Dream D. Fingal's Cave
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At the Paris International Exhibition of 1889 Debussy was strongly influenced by ______.
A. the advantages of modern technology
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C. the Eiffel Tower
D. performances of Asian music
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Which of the following statements is not true?
A. Both impressionist painting and symbolist poetry were catalysts for many developments during the twentieth century.
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A fourth chord is ______. A. a combination of four tones B. the chord built on the fourth step of the scale C. a chord in which the tones are a fourth apart, instead of a third D. All answers are correct.
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The most famous riot in music history occurred in Paris in 1913 at the first performance of ______. A. Arnold Schoenberg's Gurrelieder B. Igor Stravinsky's The Rite of Spring C. Richard Wagner's Siegfried D. Igor Stravinsky's Les Noces
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Which of the following statements is not true?
A. The "emancipation of the dissonance" does not prevent composers from differentiating between chords of greater or lesser tension.
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A. for the Italian musical elite
B. to glorify the singers
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142. Which of the following statements is not true? A. One of Brahms's musical trademarks is his exotic orchestration. B. When he was thirteen, Brahms studied piano, music theory, and composition during the day, and played dance music for prostitutes and their clients in waterfront bars at night. C. Brahms was a romantic who breathed new life into classical forms. D. As conductor of a Viennese musical society, Brahms introduced many forgotten works of Bach, Handel, and Mozart.
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B. preferred his government position to music
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