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Question
31. Which of the following statements is not true?
A. The development section of a sonata form almost always takes the main thematic material through several different keys.
B. The second theme returns in the recapitulation of a sonata form movement in an exact repetition of its statement in the exposition.
C. The coda of a sonata form movement rounds off the movement by repeating themes or developing them further.
D. A fast movement in sonata form is sometimes preceded by a slow introduction that creates a strong feeling of expectancy.
Answer
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Related questions
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Which of the following statements is not true? A. Typical of expressionist composers, Berg scored his opera Wozzeck for a small chamber orchestra. B. The vocal line in Berg's opera Wozzeck includes speaking, shrieking, Sprechstimme, distorted folk songs, and melodies with wide leaps that are difficult to sing. C. Though written in the early 1830s, Georg Bchner's play Woyzeck is amazingly modern in its starkly realistic dialogue and disconnected scenes. D. A novel feature of Berg's opera Wozzeck is that the music for each scene is a self-contained composition with a particular form or of a definite type.
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B. playing in amateur chamber groups
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Expressionism is an art concerned with ______. A. depicting the beauties of nature B. emotional restraint, clarity, and balance C. social protest D. All answers are correct.
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91. Which of the following statements is not true? A. Twentieth-century musical expressionism grows out of the emotional turbulence in the works of late romantics like Wagner, Richard Strauss, and Gustav Mahler. B. Expressionist artists favored pleasant subjects, delicate pastel colors, and shimmering surfaces. C. A stress on harsh dissonance, an exploitation of extreme registers, fragmentation, and unusual instrumental effects are all characteristics of expressionistic compositions. D. Expressionist painters reacted against French impressionism; they often used jarring colors and grotesquely distorted shapes to explore the subconscious.
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Twentieth-century musical expressionism grew out of the emotional turbulence in the works of late romantics such as ______.
A. Richard Wagner
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D. All answers are correct.
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The twentieth-century artistic movement that stressed intense, subjective emotion was called ______. A. impressionism B. primitivism C. expressionism D. neoclassicism
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Igor Stravinsky's Rite of Spring is scored for ______. A. a small chamber group B. vocal soloists and orchestra C. an enormous orchestra D. a wind ensemble
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78. Which of the following statements is not true? A. Stravinsky's ballet The Rite of Spring may be considered an example of his neoclassical style. B. Stravinsky's early ballets, Firebird, Petrushka, and The Rite of Spring, call for very large orchestras and draw on Russian folklore and folk tunes. C. Stravinsky drew on a vast range of styles, from Russian folk songs to baroque melodies, from Renaissance madrigals to tango rhythms, to create original music. D. Stravinsky's extensive output includes compositions of almost every kind, for voices, instruments, and the stage.
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In the 1950s Stravinsky dramatically changed his style, drawing inspiration from ______. A. Claude Debussy B. Richard Wagner C. Anton Webern D. Russian folk music
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The writer whose works had the greatest impact on the young Berlioz was ______. A. Victor Hugo B. William Shakespeare C. Honor de Balzac D. Heinrich Heine
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At the Paris International Exhibition of 1889 Debussy was strongly influenced by ______.
A. the advantages of modern technology
B. performances of the music of J. S. Bach
C. the Eiffel Tower
D. performances of Asian music
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Which of the following statements is not true?
A. Both impressionist painting and symbolist poetry were catalysts for many developments during the twentieth century.
B. Symbolist writers emphasized the purely musical, or sonorous, effects of words.
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A fourth chord is ______. A. a combination of four tones B. the chord built on the fourth step of the scale C. a chord in which the tones are a fourth apart, instead of a third D. All answers are correct.
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A piano is often used in twentieth-century orchestral music to ______.
A. "sing" a beautiful melody
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The glissando, a technique widely used in the twentieth century, is ______. A. the combination of two traditional chords sounding together B. a rapid slide up or down a scale C. a motive or phrase that is repeated persistently at the same pitch throughout a section D. a chord made up of tones only a half step or a whole step apart
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The most famous riot in music history occurred in Paris in 1913 at the first performance of ______. A. Arnold Schoenberg's Gurrelieder B. Igor Stravinsky's The Rite of Spring C. Richard Wagner's Siegfried D. Igor Stravinsky's Les Noces
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Which of the following statements is not true?
A. The "emancipation of the dissonance" does not prevent composers from differentiating between chords of greater or lesser tension.
B. By the early twentieth century, the traditional distinction between consonance and dissonance was abandoned in much music.
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A. for the Italian musical elite
B. to glorify the singers
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142. Which of the following statements is not true? A. One of Brahms's musical trademarks is his exotic orchestration. B. When he was thirteen, Brahms studied piano, music theory, and composition during the day, and played dance music for prostitutes and their clients in waterfront bars at night. C. Brahms was a romantic who breathed new life into classical forms. D. As conductor of a Viennese musical society, Brahms introduced many forgotten works of Bach, Handel, and Mozart.
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B. preferred his government position to music
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