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Question
Which of the following statements is not true?
A. The "emancipation of the dissonance" does not prevent composers from differentiating between chords of greater or lesser tension.
B. By the early twentieth century, the traditional distinction between consonance and dissonance was abandoned in much music.
C. The general principle that determines whether a chord is stable or not remains the same in the twentieth century as it did in the nineteenth.
D. Up to about 1900, all chords except the three-tone triad were considered dissonant.
Answer
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