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Question
Why is there no need for filmmakers to film in a real space whose dimensions correspond to the ones implied by editing?
a. because audiences will never believe in the plausibility of an on-screen space
b. because production equipment cannot fit into or navigate a real space
c. because directors are not trained to work within a real space
d. because editing establishes relationships between shots that can fool audiences into accepting the believability of spaces actually shot in fractions of implied space
e. because editing establishes relationships between shots that can fool audiences into accepting the believability of spaces actually shot in complete and vast space
Answer
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Related questions
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b. Britain. e. India.
c. Japan.
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a. Movie franchises are doing poorly.
b. Several studios and theater chains have gone bankrupt due to digital conversion.
c. Continuing to enhance the appeal of movies for the large foreign audience.
d. Tickets prices are going down.
e. Dwindling box office attendance for superhero films.
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How are independent producers reliant on the big six studios?
a. Distributing through the big six gives independents the largest possible audience.
b. High-end production equipment can only be rented through the big six.
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d. The big six control most alternate means of distribution, including Netflix and Amazon.
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Q:
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a. Hays Office
b. Production Code Administration
c. New York State Censorship Board
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Q:
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c. elicit subjective point of view.
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a. copper d. hyposulfite thiosulfate
b. sunlight e. the thickness of glass film
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William Henry Fox Talbots greatest contribution to photography was
a. glass-plate negatives.
b. fixing an image on transparent material.
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e. the camera lens.
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A term synonymous with the aesthetic approach to film history is the
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a. his 1938 radio production of The War of the Worlds
b. his Broadway adaptation of Julius Caesar
c. his baritone voice in his performance as Charles Foster Kane
d. his direction of Citizen Kane
e. his modern adaptations of literary classics
Q:
Professional organizations in the motion picture industry engage in which of the following activities?
a. seek equity in pay and working conditions
b. assist with the rating system in film regulation
c. protect artists rights amid the industrys conversion to digital production
d. support the recognition of outstanding achievements of their members to the Academy of Motion Picture Arts and Sciences
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Q:
Which of the following best describes MGM?
a. It was a poverty row enterprise.
b. It is no longer in existence today.
c. Irving Thalberg was a senior executive there.
d. It was the largest of the majors.
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Q:
The preproduction phase is often associated with which of the following?
a. blocking and lighting rehearsals d. reviewing the dailies
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b. inquire whether cost considerations prohibit potential setups.
c. check whether the contents of the script are being respected.
d. consider whether continuity is being enforced.
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Q:
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a. is also known as reversal film stock.
b. produces a grainy image.
c. cannot shoot in color.
d. requires little light.
e. requires a lot of light.
Q:
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Summarize the three factors upon which the 180-degree system depends and which work together to achieve the goals of continuity editing.
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Q:
Why would an editor choose an iris-out over another type of transition?
a. The iris-out draws the audiences attention to a particular place on the screen.
b. The iris-out looks more sophisticated.
c. The iris-out is cheaper to implement.
d. The iris-out is more expressive.
e. The iris-out is the only way to signify the ending of a scene.
Q:
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a. X-Men d. Star Wars
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Q:
What is a dissolve?
a. a fade-in or fade-out within a scene
b. a scene that ends on a down note
c. when a small circle of visible action surrounded by black expands to fill the entire screen
d. when a character never reappears in a movie
e. a transitional device in which a shot gradually superimposes over another shot
Q:
Which film was one of the first movies to intentionally and repeatedly violate conventional continuity with jump cuts that call attention to the films construction?
a. Rear Window (1954) d. Breathless (1960)
b. 2001: A Space Odyssey (1968) e. The Tin Drum (1979)
c. Casablanca (1942)
Q:
At one moment in 2001: A Space Odyssey (1968), a cut causes an abrupt transition between a shot of a bone thrown in the air by a primitive prehuman and a shot of a spaceship. This cut is shocking and unusual because
a. it signals a shift between radically different genres.
b. it implies an immense period of elapsed time.
c. it implies a barely perceptible period of elapsed time.
d. the shots possess no connection whatsoever.
e. the bone turns suddenly into a spaceship.