Accounting
Anthropology
Archaeology
Art History
Banking
Biology & Life Science
Business
Business Communication
Business Development
Business Ethics
Business Law
Chemistry
Communication
Computer Science
Counseling
Criminal Law
Curriculum & Instruction
Design
Earth Science
Economic
Education
Engineering
Finance
History & Theory
Humanities
Human Resource
International Business
Investments & Securities
Journalism
Law
Management
Marketing
Medicine
Medicine & Health Science
Nursing
Philosophy
Physic
Psychology
Real Estate
Science
Social Science
Sociology
Special Education
Speech
Visual Arts
Journalism
Q:
Besides providing community calendars and meeting notices, newspapers mostly carry articles on local schools, social events, town government, property crimes, and zoning issues.A. undergroundB. alternativeC. conflict-orientedD. postmodernE. consensus-oriented
Q:
Which of the following is not a way in which convergence with the Internet (online journalism) is redefining how newspapers operate?A. More and more readers go online for news rather than subscribing to a traditional paper.B. Online news is speeding up the news cycle, with constant publishing pressure rather than a daily deadline.C. Bloggers can have great influence on the news that is covered by traditional newspaper operations.D. Newspapers are developing Web sites and other online services.E. Traditional newspaper reporters and editors are fully embracing their online responsibilities.
Q:
According to the textbook, which of the following has been a critique of the idea of journalistic objectivity?
A. Journalists use too much flair in their stories, obscuring the important details.
B. Objective journalism fuels unhealthy competition between journalists to see who can get the story first.
C. It isn"t possible to have genuine journalistic impartiality, and many reporters have become too uncritical of people with power.
D. It's too difficult to tell the journalist's thoughts apart from the thoughts of the subject of the story.
E. None of the above options is correct.
Q:
What makes literary journalism different from early-twentieth-century models of "objective" journalism?A. Literary journalism focused on a "just the facts'" approach, cutting out the extra descriptive details found in objective journalism.B. Literary journalism applied fiction writing techniques to nonfiction material, instead of being purely informational as in objective journalism.C. Literary journalism focused only on gossip while objective journalism focused only on news.D. Literary journalism believed in reporting on both sides of an argument, whereas objective journalism focused only on one opinion.E. None of the above options is correct.
Q:
The practice of interpretive journalism in the twentieth century got its first significant boost from .A. print journalism, which then passed the practice along to radioB. radio broadcasters who started developing commentary as part of their news in the 1930sC. the introduction of televisionD. a push for probing analysis in print journalism in the 1920s and 1930sE. None of the above options is correct.
Q:
What spawned the rise of interpretive journalism in the 1930s and 1940s?A. The success of the New York TimesB. Journalists' desire to do more creative reportingC. The world's increasing complexity and interconnectedness D. The expensive nature of objective reportingE. None of the above options is correct.
Q:
A. "The creative treatment of actuality"B. Weekly compilations of filmed news eventsC. Fragments of life filmed unobtrusively1) Newsreels2) Documentary3) Cinema verit
Q:
A. This director's editing techniques redefined suspenseful drama.B. This director was a popular actor first.C. This director made EasyRider, which tapped into baby-boomer anxieties. D. This director made the controversial epic The Birth of a Nation.E. This director's films inspired blaxploitation movies.
Q:
A. 1910s B. 1920s C. 1950s D. 1990s E. 2000s1) Drive-ins2) Movie palaces3) Live band4) Megaplexes5) Cinerama and CinemaScope6) Stadium-style seating
Q:
Use of allows filmmakers to capture additional footage without concern for the high cost of film stock and processing.
Q:
Movie theater facilities with fourteen or more screens are called .
Q:
The nine screenwriters and one film director subpoenaed by the House Un-American Activities Committee (HUAC), known as the , were sent to prison in the late 1940s.
Q:
Cinema is the French term for "truth film."
Q:
were weekly ten-minute magazine-style compilations of filmed news events from around the world.
Q:
By the 1920s, Paramount, MGM, Warner Brothers, Twentieth Century Fox, and RKO were known as the .
Q:
, an early tactic of movie studios to control exhibition, involved pressuring theater operators to accept marginal films with no stars in order to get access to films with the most popular stars.
Q:
In 1902, Edwin S. Porter made the film The Life of an American Fireman and revolutionized narrative film by introducing the technique of .
Q:
In 1903, Edwin S. Porter introduced the genre with The GreatTrain Robbery.
Q:
The was an early film projection system that served as a kind of peep show.
Q:
The was an early movie camera developed by Thomas Edison's assistant in the 1890s.
Q:
is a transparent and pliable film that can hold a coating of chemicals sensitive to light.
Q:
Commercial U.S. films function as by providing shared cultural experiences.A. consensus narrativesB. patent poolsC. cinema veritD. vertical integrationE. star vehicles
Q:
Which of the following is true about shooting movies with digital video?
A. Directors typically have to wait several hours to see the results of a day of shooting footage.
B. The digital cameras are typically much bulkier than those that use film.
C. It can be very expensive to capture additional footage with digital cameras if someone makes a mistake.
D. Digital cameras are more accessible and less expensive, opening the door to more
independent filmmakers.
E. None of the above options is correct.
Q:
Which answer best describes a reason that movie studios use the Internet to market their films?A. It is less expensive than traditional methods of marketing, such as television ads. B. People no longer see movie trailers on TV because they no longer watch television. C. It is really easy to set up a Facebook page.D. It is a guaranteed way to create a box-office hit. E. None of the above options is correct.
Q:
In 2012, movie fans accessed more movies through than physical copies for the first time.A. DVDsB. RedboxC. Blu-raysD. digital online mediaE. None of the above options is correct.
Q:
Which of the following is an Internet distribution service for television shows and movies?
A. Redbox
B. TiVo Premiere
C. Blu-ray
D. Netflix
E. Hollywood Video
Q:
Which statement best reflects a current trend in movie viewing?A. Americans are flocking to drive-in theaters.B. Consumers have all but stopped going to regular movie theaters. C. Americans are going to video stores more and more to rent films.D. Consumers are increasingly streaming movies via the Internet instead of renting videos.E. American audiences are watching foreign movies at a record rate.
Q:
When a media conglomerate can use the magazines, newspapers, and television and radio stations it owns to promote a movie, this is known as .A. vertical integrationB. megaplexingC. rapportD. synergyE. multitasking
Q:
Which of the following is not one of the six major film conglomerates today?A. United Artists B. Warner Brothers C. DisneyD. Columbia E. Universal
Q:
Which of the following is true about the ways studios generate revenue today?A. Studios get paid to feature products in a movie.B. Studios make money by distributing movies made by independent filmmakers. C. Studios share box office receipts with theater operators.D. Studios get a cut from movie rentals and DVD and Blu-ray sales. E. All of the options are correct.
Q:
U.S. film viewing decreased during the 1950s because A. television cornered the family marketB. novelties like 3-D didn"t workC. Americans chose to spend their money on refrigerators rather than movie ticketsD. Americans were getting married earlier in life, which meant fewer movie datesE. All of the options are correct.
Q:
In an effort to compete with television in the 1950s, the movie studios began making A. big-budget family filmsB. documentariesC. X-rated adult moviesD. films that dealt with such social problems as alcoholism, drug abuse, and racismE. summer "blockbuster" films
Q:
Which of the following did not have an impact on Hollywood in the postwar era (late 1940s, 1950s)?A. HUAC and the Hollywood TenB. The Paramount decisionC. The mass egress to the suburbsD. TelevisionE. The rise of nickelodeons
Q:
was a result of the Justice Department's attempts to break up monopolies within the film industry.A. Fin-synB. The Paramount decisionC. The Telecommunications Act of 1996D. HUACE. MPPA
Q:
Which of the following is true about the Hollywood Ten?A. They were tried in a court of law, and evidence was presented to show they were helping America's enemies.B. They avoided punishment and appeared cooperative by giving names of people they thought or knew sympathized with communists.C. They may have falsely named industry rivals as communist supporters in order to gain an advantage in Hollywood.D. They only made films with patriotic or anticommunist themes.E. None of the above options is correct.
Q:
The Hollywood Ten are famous for A. violating the film production code in the 1950sB. trying to pool patents and control the film industryC. being the leading film stars of the silent eraD. refusing to testify before the House Un-American Activities CommitteeE. giving up names of suspected communist sympathizers during the communist witch- hunts of the 1940s and 1950s
Q:
What is a typical characteristic of independent films?A. They tend to be made on a shoestring budget.B. They often need help from major studios for successful distribution. C. They often rely on real-life situations and nonstudio settings.D. They are now easier and cheaper to make because of new digital movie cameras. E. All of the options are correct.
Q:
According to the textbook, which of the following statements about documentary films is false?A. Documentary films show an unbiased and unvarnished picture of how the world really is.B. Some of theearliest documentary films grewout of newsreels.C. Documentary films sometimes use a technique known as cinema verit.D. Documentary films sometimes take on controversial subjects.E. Documentary films, often educational and noncommercial, usually require the backing of industry, government, or philanthropy to get made.
Q:
Which of the following is a reason for the sharp decline in the number of foreign films released in cinemas between 1966 and 1990?A. Moviegoers asked their local cinemas to stop showing foreign films.B. Multiplexes felt foreign films posed too strong a threat to domestic films.C. Multiplexes didn"t want to screen foreign titles because of their small profit margins. D. Foreign films were too highbrow for American audiences.E. None of the above options is correct.
Q:
Which of the following statements about women and/or minority film directors in the United States is true?A. The influence of Mary Pickford meant women enjoyed the same directing opportunities as men, even if minorities didn"t.B. With a few exceptions, women and minority directors have received little recognition and opportunity for much of the history of movies.C. Minorities, as long as they were men, have for decades enjoyed the same status as white male film directors.D. Both women and minorities have received the same degree of recognition in Hollywood as white male film directors.E. None of the above options is correct.
Q:
In commercial filmmaking, who is considered the "author" of a film?A. The lead actor/actress B. The executive producer C. The studioD. The screenwriter E. The director
Q:
According to your textbook, what is a main reason that Hollywood tends to make films that belong in certain genres?A. It makes it easier for studios to predict which scripts will make good movies. B. It is easier for studios to promote a film that fits into a preexisting category.C. Filmmakers don"t like to be challenged and would rather be told by studios what kind of film to make.D. It costs less money to make films that fit into a specific formula.E. All of the options are correct.
Q:
Which film was the first successful talking motion picture?
A. The Great Train Robbery
B. Snow White
C. Birth of a Nation
D. The Jazz Singer
E. The Life of an AmericanFirefighter
Q:
Which of the following is true about early major Hollywood studio heads like Adolph Zukor?A. They allowed independent, smaller filmmakers to thrive because of their own experiences fighting the opposition and control of Thomas Edison and the Trust.B. They struggled because of stiff competition from European filmmakers following World War I.C. They tried to give actors and directors a great deal of choice about the kinds and numbers of films to make.D. They believed that the three main areas of the movie businessproduction, distribution, and exhibitionshould be handled by separate companies.E. None of the above options is correct.
Q:
Which of the following is not one of the original five major studios that once dominated the film business?
A. RKO
B. Warner Brothers
C. Paramount
D. Disney
E. Twentieth Century Fox
Q:
Through the 1920s, 85 to 95 percent of all film revenue was generated by A. small neighborhood theatersB. downtown first-run theatersC. multiplexes in shopping mallsD. home video rentalsE. drive-in theaters
Q:
When a studio engaged in block booking, it A. opened a big-budget film in at least one thousand movie theaters across the United StatesB. hired an entire neighborhood or category of people to appear in a filmC. guaranteed an exhibitor that a film would attract a minimum number of paying customersD. required exhibitors to book a large number of new or marginal pictures in order to get the movies they really wantedE. required movie actors to sign exclusive contracts
Q:
Under the studio system, A. actors were independent contractors who could work for any studioB. movies were made using an assembly-line processC. the studios had no control over the private lives of their creative talentD. producers were hired to direct the picturesE. All of the options are correct.
Q:
Mary Pickford was able to start United Artists because A. early Hollywood was known for respecting women and promoting their careers as producers, directors, and studio executivesB. Adolph Zukor wanted more studios competing to make filmsC. she had become very popular with audiences and influential in the industryD. she was born into a wealthy familyE. she was an award-winning director
Q:
Who launched United Artists?A. Mary Pickford B. Adolph Zukor C. Edwin S. Porter D. Thomas EdisonE. None of the above options is correct.
Q:
Mary Pickford was A. instrumental in raising the salaries of film actorsB. a founder of Paramount PicturesC. an experienced stage actress before going into the moviesD. known as "America's Villain"E. None of the above options is correct.
Q:
Which of the following did Adolph Zukor achieve?A. Hired D.W. Griffith to direct movies for him exclusivelyB. Tried to control all levels of movie production through Edison's trustC. Began the Paramount theater chain D. Pioneered the studio systemE. Formed United Artists
Q:
Adolph Zukor formed the Famous Players Company in 1912 to A. give young actors a start in moviesB. exert control over movie productionC. serve as an agent for established actorsD. make exceptional movies with the best directors availableE. None of the above options is correct.
Q:
Which of the following is not an element of vertical integration in the movie industry?A. Syndication B. Distribution C. ProductionD. ExhibitionE. All of the options are elements.
Q:
What is vertical integration?
A. Control of the production, distribution, and exhibition of a film or other cultural product by one company
B. A system for predicting whether a film will succeed or fail at the box office
C. The theory that media elites atop the social hierarchy can persuade the citizenry to act in certain ways
D. The process a movie goes through from script to promotion
E. A unionizing tactic in which all levels of movie productionfrom actors and directors to camera operators and janitorsare brought into a single bargaining force
Q:
Which of the following is one of the methods used by the Trust to control the film industry?A. Distributing faulty movie film to other companiesB. Acquiring most major film distributorships C. Signing exclusive contracts with actorsD. Forcing film producers to relocate to New YorkE. Building the most lavish nickelodeons
Q:
In an early attempt to monopolize the film industry, inventor Thomas Edison formed .A. The Motion Picture Monopoly of AmericaB. General ElectricC. The Edison Oligopoly CompanyD. Paramount StudiosE. The Motion Picture Patents Company
Q:
Nickelodeons and the silent films they showed were very popular with turn-of-the-century immigrant populations because A. they advertised outside of Ellis IslandB. they provided an inexpensive escapeC. nickelodeons showed films in colorD. popular Broadway singers were the featured playersE. the elaborate movie sets were visually exciting
Q:
Nickelodeons were A. turn-of-the-century theaters dedicated to screening children's filmsB. the first fancy downtown movie palaces, located mainly in business centersC. the original movie theaters, popular with immigrantsD. large, multiple-screen movie complexes typically located near busy highwaysE. cheaply priced drive-in theaters
Q:
American filmmaker Edwin S. Porter A. shot narrative scenes out of orderB. made what is considered America's first narrative filmC. used the first close-up in U.S. narrative film historyD. adapted Mlis's innovations for narrative filmE. All of the options are correct.
Q:
Why was Edwin S. Porter's 1902 film The Life of an AmericanFireman important?A. It was the first to use editing and close-ups as narrative-building techniques. B. It was the first studio film to use personal style.C. It was the first sound picture.D. It challenged racial stereotypes.E. It was the first film to be shown to a theater audience.
Q:
Which of the following chronologies best describes the way early movie industry technology developed?A. narrative films vitascope celluloid zoetropeB. zoetrope vitascope celluloid narrative films C. celluloid zoetrope vitascope narrative films D. zoetrope narrative films celluloid vitascope E. zoetrope celluloid vitascope narrative films
Q:
Who opened the first public movie theater in France in 1896?A. Thomas Edison B. Georges Mlis C. Auguste Lumire D. Louis LumireE. Adolph Zukor
Q:
Most U.S. films provide shared cultural experiences that operate across different times and cultures.
Q:
A consensusnarrative is a type of movie that seeks a small, select, niche audience.
Q:
Because of high equipment and operating costs, digital technology is not expected to benefit independent filmmakers for many years.
Q:
The movie industry has largely embraced the Internet's ability to distribute new films and rentals to consumers.
Q:
All six major Hollywood film studios today are owned and operated by U.S.-based corporations.
Q:
Time Warner's cable channels can be considered a form of high-tech vertical integration.
Q:
Movie studios in the United States still practice block booking and require that theaters accept lesser films in order to get blockbuster movies.
Q:
The six major studios were able to dominate movie exhibition in the United States by acquiring all of the country's drive-in theaters.
Q:
Six studios dominate the U.S. film business.
Q:
Although Hollywood movies may show actual consumer products, such as Pepsi-Cola or BMW automobiles, for the effect of realism, the studios may not receive any money or other compensation for showing those products.
Q:
For creative reasons, film studios have generally resisted making product placement deals.
Q:
Movie studios can earn more than double their U.S. and Canadian box office receipts by distributing their films in foreign markets.
Q:
Movie studios make their films available on DVD and Internet streaming services at the same time as the theatrical release.
Q:
Between 80 and 90 percent of new movies lose money during their theatrical release.
Q:
Movie theaters are still the largest single source of revenue for a typical feature film.
Q:
The success of Star Warshad no effect on the business strategies of major studios going forward.
Q:
Blu-ray discs have prevented the streaming of movies over the Internet from catching on.