Q&A Hero

Q: Inspired by the Free Cinema movement, ________ was the first major British film to explore homosexuality in contemporary English society. a. Victim (1961) d. The Servant (1963) b. Room at the Top (1959) e. Kes (1969) c. We Are the Lambeth Boys (1958)

Q: The framing, lighting, and experimental use of color utilized by emerging cinematographers of the New American Cinema were drawn from ________ filmmaking techniques. a. classic Hollywood d. European b. naturalistic e. Soviet c. French New Wave

Q: Free Cinema, Dogme 95, Das neue Kino, and other new wave movements sought to break from cinematic conventions, revitalize filmmaking, and a. increase profits. b. reduce the influence of the director. c. nationalize filmmaking. d. explore cinema as a subject in itself. e. shock audiences.

Q: Which movie is considered the masterpiece of the Italian neorealism movement? a. Luchino Viscontis Ossessione (1943) b. Roberto Rossellinis Rome, Open City (1945) c. Vittorio De Sicas Shoeshine (1946) d. Vittorio De Sicas The Bicycle Thieves (1948) e. Jean-Pierre and Luc Dardennes LEnfant (2005)

Q: Which of the following was NOT a requirement for Danish filmmakers who agreed to The Vow of Chastity ? a. All shooting must take place on location. b. No use of flashbacks is allowed. c. Plots must never revolve around murder. d. The camera must remain stationary. e. The film must be shot on Academy 35mm color film stock.

Q: Which Japanese film features four different points of view and is credited with the birth of Japans golden age of cinema? a. The Life of Oharu (1952) d. Ikuru (1952) b. Seven Samurai (1954) e. Late Spring (1954) c. Rashomon (1950)

Q: Prior to 1990, East German film production remained under the control of a. West Germany. d. France. b. the Soviet Union. e. Great Britain. c. Hollywood studios.

Q: The founders of the Das neue Kino movement believed that revitalization of the German cinema required recognizing both the divisive effects of Germanys Nazi past and a. German nationalism. b. French avant-garde cinema. c. the importance of East German filmmakers. d. commercial exploitation. e. postwar Germany as a divided country.

Q: Films of Japans Nuberu Bagu movement include what two notable characteristics? a. romance and murder b. humor and self-reflection c. brutality and nihilism d. violence and comedy e. nationalism and black and white imagery

Q: What historical event led to the revitalization of Italian cinema and the emergence of the Italian neorealism movement? a. the defeat and eventual execution of Benito Mussolini b. the commercial success of Italian films during World War II c. the founding of an Italian national film school d. the artistic superiority of French films e. the proliferation of large and lavish Italian production facilities

Q: Italian neorealist films used actual locations, natural lighting, deep-space cinematography, and ________ to maintain an air of realism. a. complex working methods d. storylines about the upper class b. nonprofessional actors e. Italian cinematic conventions c. short takes

Q: How did the Italian government influence the decline of Italian neorealism? a. It reduced taxes on foreign movies. b. It subsidized Hollywood films. c. It encouraged the proliferation of foreign films. d. It subsidized domestic films that focused on postwar Italys prosperity. e. It banned movies that were critical of the government.

Q: One of the driving forces behind the emergence of the French New Wave movement was ________, which seeks to make individuals more responsible for their actions. a. naturalism d. surrealism b. nihilism e. existentialism c. expressionism

Q: French filmmaker Alexandre Astrucs insistence that directors use the camera as personally as a novelist uses a pen was the inspiration for what eventually became a. montage. d. kino-pravda. b. French expressionism. e. poetic realism. c. the auteur theory.

Q: What element of filmmaking does Truffauts adoration of such directors as Jean Renoir, Alfred Hitchcock, and Orson Welles seem to negate? a. dialogue d. mise-en-scne b. collaboration e. acting c. lighting

Q: French New Wave filmmaker Claude Chabrol studied the films of what Hollywood director to learn the effect of suspense? a. Alfred Hitchcock d. Fritz Lang b. Orson Welles e. John Ford c. Howard Hawks

Q: Why do Jean-Luc Godards French New Wave films from the early 1960s still look modern to todays audiences? a. He used advanced motion picture cameras. b. French New Wave techniques are still used by contemporary filmmakers. c. Many of the films subjects remain topical. d. He used highly sensitive color film stock. e. Actors were trained in a naturalistic style.

Q: Filmmaking that seeks to express the identity of the filmmakers country is called a ________ cinema. a. new wave d. cultural b. political e. national c. patriotic

Q: The Jazz Singer (1927) is historically significant because it featured several scenes with a. slow motion. d. a musical score. b. montage. e. color. c. synchronous dialogue.

Q: Why would the original release of Baby Face (1933) have run into problems with the Breen Office had it been released after July 1, 1934? a. It featured scenes of excessive violence. b. its negative depiction of religion c. The female protagonist was a stereotype. d. It featured nudity. e. the overt sexual behavior of its female protagonist

Q: In 1934, Joseph Breen became the head of the ________, which was created in 1934 by the Motion Picture Producers and Distributors of America (MPPDA) to self-regulate movie content. a. Hays Office b. Production Code Administration c. New York State Censorship Board d. Motion Picture Association of America e. Studio Censorship Bureau

Q: Which first-time filmmaker created a masterpiece that broke many of the cinematic conventions of Hollywoods golden age? a. Victor Fleming d. Orson Welles b. Alfred E. Green e. Bryan Foy c. Alan Crosland

Q: Cinematographer Gregg Toland achieved a high degree of cinematic realism in Citizen Kane (1941) through the use of lighting, deep-space composition, and a. framing. d. location-shooting. b. editing. e. soft focus. c. deep-focus cinematography.

Q: Although a commercial and groundbreaking success, why did The Birth of a Nation (1915) spark nationwide controversy upon its release? a. It was the longest film ever produced. b. It was the most expensive film ever produced. c. It featured a graphic reenactment of Lincolns assassination. d. Its content was overtly racist. e. It borrowed cinematic techniques developed by other filmmakers.

Q: German expressionist film reflected an atmosphere of ________ in postWorld War I Germany. a. despair and self-reflection b. national pride c. fascism d. revolution e. cynicism, alienation, and disillusionment

Q: Which film genre was most notably influenced by German expressionism? a. sci-fi d. film noir b. melodrama e. musical c. screwball

Q: In addition to differences in narrative, what distinguishes Nosferatu, A Symphony of Horror (1922) from The Cabinet of Dr. Caligari (1920)? a. natural light versus artificial light b. long takes versus rapid cuts c. still versus moving cameras d. stylized versus naturalistic acting e. cinematic effects versus graphic effects

Q: The intent of dada and surrealism is to shock the viewer with the ________ juxtapositions of images. a. predictable d. seamless b. conventional e. logical c. unexpected

Q: Many films of the 1920s French avant-garde movement emphasized ________, which is based on the idea that a persons fate is determined by heredity and environment. a. naturalism d. Marxism b. free will e. radicalism c. surrealism

Q: Which dreamlike French avant-garde film was created by Spanish artists Luis Buuel and Salvador Dal? a. Ballet mcanique (1924) b. The Fall of the House of Usher (1928) c. An Andalusian Dog (1929) d. The Seashell and the Clergyman (1928) e. Viridiana (1961)

Q: The power of montage, as expressed by Soviet filmmakers of the 1920s, lies in its ability to a. create a seamless narrative. b. internalize a characters troubled emotions. c. elicit subjective point of view. d. manipulate the viewers perception and understanding. e. confuse the viewer.

Q: Which Soviet filmmaker is considered as important and innovative as D. W. Griffith? a. Lev Kuleshov d. Vsevolod I. Pudovkin b. Sergei Eisenstein e. Konstantin Stanislavsky c. Dziga Vertov

Q: Which film by Soviet director Sergei Eisenstein is considered his most influential and important? a. Battleship Potemkin (1925) d. Strike (1925) b. Alexander Nevsky (1938) e. Que Viva Mxico (19301932) c. Mother (1926)

Q: Which famous director in 1931 failed to complete Que Viva Mxico, an epic account of Mexicos history, leaving a large Marxist influence on subsequent Mexican cinema? a. D. W. Griffith d. Josef von Sternberg b. Sergei Eisenstein e. Germaine Dulac c. Orson Welles

Q: The classical Hollywood style is built upon the principle of a. parallel action. d. invisibility. b. cinematic innovation. e. genre pictures. c. discontinuity.

Q: The transition from short films to feature-length movies led to an emphasis on the quality of a. mise-en-scne, cinematography, acting, and editing. b. movie stars and complex narratives. c. the structure of the screenplay. d. movie palaces and early sound systems. e. the characters dialogue.

Q: The most important and stylistically influential director during the early years of Hollywood filmmaking was a. Edwin S. Porter. d. King Vidor. b. D. W. Griffith. e. Alice Guy Blach. c. Erich von Stroheim.

Q: The four traditional approaches to film history are a. aesthetic, technological, economic, and social. b. technological, historical, financial, and international. c. pre-cinema, aesthetic, neo-cinema, and contemporary. d. geographical, social, cultural, and political. e. domestic, international, technological, and social.

Q: A term synonymous with the aesthetic approach to film history is the a. artistic approach. d. great director. b. narrative approach. e. auteur approach. c. masterpiece approach.

Q: Of all the arts, cinema seems to rely most heavily on a. cultural influences. d. marketing. b. artistic movements. e. technology. c. changing social attitudes.

Q: In addition to studying the studio system, historians who take the economic approach toward the film industry also take into account a. censorship and the rating system. d. lighting styles. b. on-screen stereotypes. e. screenwriters. c. directors and genres.

Q: The social approach to film history attempts to establish a link between motion pictures and a. technology and science. d. government, religion, and labor. b. the global marketplace. e. financial and critical success. c. character development.

Q: A device that projects an exterior image onto one side of a darkened room is called a a. lens. d. heliograph. b. camera obscura. e. silhouette projector. c. glass-plate.

Q: William Henry Fox Talbots greatest contribution to photography was a. glass-plate negatives. b. fixing an image on transparent material. c. mass production of photoreactive chemicals. d. the photosensitive copper plate. e. the camera lens.

Q: By drastically reducing ________, gelatin-covered paper made it possible for photographers to capture action spontaneously. a. copper d. hyposulfite thiosulfate b. sunlight e. the thickness of glass film c. exposure time

Q: The development of ________ served as the bridge between still photography and cinematography. a. series photography d. negative projection b. motion capture cameras e. heliography c. gelatin emulsion

Q: The ________ was the first motion picture camera. a. fusil photographique d. magic lantern b. Cinmatographe e. Kinetograph c. Kinetoscope

Q: Not only could the Cinmatographe operate as a motion picture camera and film printer, it also served as a. a film studio. d. an editor. b. a projector. e. a peephole viewer. c. a sound recorder.

Q: The films of French magician and filmmaker Georges Mlis are best known for their innovative use of a. color film. d. special effects. b. crosscutting. e. flashbacks. c. close-ups.

Q: Who is credited with advancing the development of the narrative film and the production of the first Western? a. Thomas Edison d. Louis Lumire b. Georges Mlis e. G. A. Smith c. Edwin S. Porter

Q: Explain the effect of Alfred Hitchcock and Bernard Herrmanns use of sound effects in The Birds (1963).

Q: Explain why Orson Welles is considered to be the first sound designer in American film history.

Q: Which of the following film sounds are typically recorded during production? a. dialogue d. sound effects b. narration e. Foley sounds c. ambient sounds

Q: Explain the meaning of director Steven Spielbergs statement, The eye sees better when the sound is great.

Q: Provide an example of how music adds symbolic import and emotional impact to the footage we see on-screen.

Q: Tomlinson Holman said, Sound design is the art of getting the right sound in the right place at the right time. Explain this statement.

Q: How is pitch employed to shape our interpretation of the wizard in The Wizard of Oz (1939)?

Q: How does the sound design of the opening of Apocalypse Now (1979) shape the audiences perception of Captain Willard as well as set up the themes of the film?

Q: Explain how the use of nonfaithful sound when Charlie playfully points his fingers in the shape of a gun in Mean Streets (1973) contributes to our understanding of Charlies relationship with Teresa.

Q: How did Martin Scorsese and Frank Warner use sound to make the close-ups in the boxing ring of Raging Bull (1980) almost unbearable to watch and hear?

Q: Explain how the use of music in film may help to create irony. Provide a specific example from the text.

Q: How does the music employed in The Crying Game (1992) help underscore the surprising turns in the story?

Q: How can music provide structural unity or coherence to a story?

Q: What unique challenges did The Hours (2002) create for Philip Glass, its musical composer, and how did he solve them?

Q: Which of the following is NOT an example of how sound is used as part of characterization? a. Horses whinny when a characters name is mentioned in Young Frankenstein (1974). b. Quint draws his fingernails across a chalkboard in Jaws (1975). c. A Javanese gamelan orchestra plays when Lester fantasizes about escaping to a better world in American Beauty (1999). d. A woman opens her mouth to scream and instead we hear a train whistle in The 39 Steps (1935). e. Bernstein sings as if he is having a good time in Citizen Kane (1943).

Q: Why is Ethan and Joel Coens use of silence in No Country for Old Men notable?

Q: Why is sound overlapped? a. to link and provide unity between disparate shots b. to fulfill an audiences expectation c. to convey a characters emotional state d. to underscore the theme of the movie e. to create rhythm beyond that created by the music

Q: How does the sound in an exclusive restaurant in The Player (1992) help to direct the audiences attention?

Q: What made Orson Welles famous overnight? a. his 1938 radio production of The War of the Worlds b. his Broadway adaptation of Julius Caesar c. his baritone voice in his performance as Charles Foster Kane d. his direction of Citizen Kane e. his modern adaptations of literary classics

Q: What was unusual about the sound production of Citizen Kane? a. Mixing of the sound effects occurred during preproduction. b. Dialogue was edited during production. c. No music was used. d. The music was composed before the rough cut of the film had been assembled. e. All the dialogue had to be looped.

Q: How do the following directors use music to enhance the pace of a film? a. Ang Lee uses a Japanese folk song to create a dreamlike pace in Brokeback Mountain (2005). b. Tom Tykwer uses techno-music to match the surreal tempo in Run Lola Run (1998). c. Joe Wright uses Gregorian chant to bring an ethereal mood to Atonement (2007). d. John Curran uses Rage Against the Machine songs to accelerate the pace of We Dont Live Here Anymore (2004). e. Lana Wachowski uses music by Johann Sebastian Bach to slow the tempo of The Matrix (1999).

Q: From a sound perspective, what is the major achievement of Black Hawk Down (2001)? a. multiple voice-over narration, which offers conflicting accounts of the same event b. the bold juxtaposition of images with contrasting music c. the silence used to produce a new rhythm d. music that is fused with sound effects to create a seamless tapestry e. incongruous nondiegetic sound for comic relief

Q: When is nondiegetic music recorded? a. It is recorded during the shoot so that it captures the spontaneity of the performance. b. It is recorded during preproduction so that actors can match their performance to the prerecorded music. c. It is recorded at the very end of the editing process so that it can be accurately matched to the images. d. It can be recorded at any point during the production. e. It is recorded after the script is written since its lyrics may stand in as dialogue.

Q: Which contemporary film uses silence most inventively? a. Joel and Ethan Coens No Country for Old Men (2007) b. Spike Lees Do the Right Thing (1989) c. Debra Granicks Winters Bone (2010) d. Stephen Daldrys The Hours (2002) e. Tom Tykwers Run Lola Run (1998)

Q: What is the most powerful sound used in Uncle Boonmee Who Can Recall His Past Lives (2010)? a. jungle noises. b. a short offscreen interior monologue. c. monks prayers. d. music from a TV melodrama. e. silence of the perceivable world and the afterworld.

Q: How does the sound in the beginning of War of the Worlds (2005) shape the audiences expectations? a. The soothing sound of the waves lapping up on the seashore lulls the audience into a false sense of peace. b. The gentle whoosh of the wind across the blue sky combined with the upbeat music suggests a happy ending. c. Loud, high-pitched sounds, accompanying eerie atmospheric effects, suggest something terrible is going to happen. d. The low-pitched foghorn, combined with the gentle purr of a cat, suggest this may be the calm before the storm. e. The carnival music, loud crowd sounds, and sirens blaring foreshadow danger.

Q: Which of the following sounds do NOT contribute to the doomsday atmosphere when the tripods attack the fleeing crowds in War of the Worlds (2005)? a. army tanks firing missiles b. crowds rushing back and forth c. massive tripods crashing through the landscape d. silence e. electronic sounds

Q: How does the sound of Harlan Ogilvy sharpening a large blade in War of the Worlds (2005) affect the audience? a. It leads the audience to believe that Ogilvy may become an evil force. b. It suggests Ogilvy could be an ally. c. The soothing tones suggest a happy ending. d. It provides irony since the viewers know a new demonic force now rules the world. e. It provides relief since the characters could use a large blade.

Q: How does an audience process visual and sound elements in a film? a. They tend to see images as a whole, while they hear sound as individual elements. b. They are slow to differentiate visual elements but are quicker to separate sound into its constituent parts. c. They interpret visual elements emotionally, while an audience is far more analytical when it comes to sound elements. d. They can easily differentiate visual elements, while it is more challenging for them to separate sound into its constituent parts. e. They are more easily emotionally manipulated by visual elements than sound elements.

Q: How does the sound design of the opening scene in Once Upon a Time in the West (1968) function? a. It intentionally thwarts the audiences spatial and temporal expectations. b. It answers fundamental questions about the narrative. c. It helps the audience distinguish the individual sounds and understand how they are arranged in relation to one another. d. The audio mise-en-scne emphasizes the camaraderie of three desperadoes. e. The various nondiegetic sounds help us understand Harmonicas point of view.